Moor Mother, the alter ego of Philadelphia-based poet and noise musician Camae Ayewa, presents her first theatrical work with the album "Circuit City." Released on September 25, 2020, via Don Giovanni Records, this experimental hip hop and spoken word album is a futuristic exploration that blends musical, choreopoem, and play elements. The album's four acts—"Working Machine," "Circuit Break," "Time of No Time," and "No More Wires"—clock in at a concise 41 minutes, offering a powerful and introspective experience.
"Circuit City" is a bold statement that intently illuminates the threats facing poor people of color in their own homes, using avant-garde tactics to convey its message. Collaborating with Rasheedah Phillips on the cover, Tcheser Holmes on drums and percussion, and Luke Stewart on electric upright bass, Moor Mother crafts a unique soundscape that challenges and engages the listener. The album's experimental nature is evident in its genre-blending approach, incorporating elements of electronic, jazz, and stage & screen music.
Moor Mother's distinctive voice and poetic prowess shine through in "Circuit City," making it a standout release in her discography. The album is a testament to her ability to turn her verse to sound collage-style, creating a compelling and thought-provoking listening experience. Whether you're a fan of experimental hip hop, spoken word, or simply appreciate innovative and socially conscious music, "Circuit City" is an album that demands your attention.
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