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      1. Albums
      2. cherubini: medea - luigi cherubini

      Cherubini: Medea

      Luigi CherubiniLuigi Cherubini
      • 1968
      • 26 tracks
      • 2 uur, 12 min
      • requiem
      Cherubini: Medea - Luigi Cherubini
      Cherubini: Medea - Luigi Cherubini

      Album Details

      Immerse yourself in the timeless tragedy of Medea through the masterful composition of Luigi Cherubini. Released on December 13, 1968, by Decca Music Group Ltd., this classical masterpiece is a powerful retelling of the ancient Greek myth, set to music that is as dramatic and intense as the story itself.

      Cherubini's "Medea" is a two-hour and twelve-minute journey through the tumultuous life of the mythical sorceress. The opera is divided into three acts, each filled with arias and ensembles that bring to life the passion, betrayal, and vengeance that define Medea's character. From the haunting "Dei tuoi figli la madre" to the fierce "E che? io son Medea!", Cherubini's music captures the full range of human emotion, making this a standout work in the classical repertoire.

      The album features a stunning array of vocal and orchestral performances, showcasing Cherubini's ability to blend dramatic narrative with rich, melodic lines. Whether you're a longtime fan of classical music or a newcomer looking to explore the genre, "Medea" offers a compelling and unforgettable listening experience. Dive into the world of ancient Greece and let Cherubini's music transport you to a time of myth and legend.

      December 13, 1968© 1997 Decca Music Group Limited℗ 1968 Decca Music Group Limited

      Tracks

      1. Medea: SinfoniaLuigi Cherubini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        7:36
      2. Medea, Act I: Che? Quando già corona amorLuigi Cherubini, Giuliana Tavolaccini, Dora Carral, Pilar Lorengar, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        6:13
      3. Medea, Act I: O amore, viene a meLuigi Cherubini, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:14
      4. Medea, Act I: No, non temer! T'affidi il mio parlarLuigi Cherubini, Justino Diaz, Pilar Lorengar, Bruno Prevedi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        2:05
      5. Medea, Act I: O bella GlauceLuigi Cherubini, Pilar Lorengar, Bruno Prevedi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        4:19
      6. Medea, Act I: Or che più non vedrò quella sposa crudeleLuigi Cherubini, Bruno Prevedi, Justino Diaz, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        2:55
      7. Medea, Act I: Pronube dive, dei custodiLuigi Cherubini, Pilar Lorengar, Bruno Prevedi, Justino Diaz, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:54
      8. Medea, Act I: Signor! Ferma una donna a vostre soglie staLuigi Cherubini, Giovanni Foiani, Justino Diaz, Gwyneth Jones, Bruno Prevedi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        4:22
      9. Medea, Act I: Qui tremar devi tu, donna reaLuigi Cherubini, Justino Diaz, Pilar Lorengar, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        3:25
      10. Medea, Act I: Taci Giason, e affisi immoto il suolo?Luigi Cherubini, Gwyneth Jones, Bruno Prevedi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        2:18
      11. Medea, Act I: Dei tuoi figli la madreLuigi Cherubini, Gwyneth Jones, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        4:53
      12. Medea, Act I: Son vane qui minacce, preghi, duol!...Nemici senza corLuigi Cherubini, Fiorenza Cossotto, Justino Diaz, Gwyneth Jones, Bruno Prevedi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:41
      13. Medea, Act II: Introduzione...Soffrir non posso, troppo è l'offesaLuigi Cherubini, Gwyneth Jones, Fiorenza Cossotto, Justino Diaz, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        4:51
      14. Medea, Act II: Date almen per pietà un asilo a MedeaLuigi Cherubini, Gwyneth Jones, Justino Diaz, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        11:05
      15. Medea, Act II: Medea! O Medea!... Solo un piantoLuigi Cherubini, Fiorenza Cossotto, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        6:35
      16. Medea, Act II: Creonte a me solo un giorno dàLuigi Cherubini, Gwyneth Jones, Fiorenza Cossotto, Bruno Prevedi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        2:28
      17. Medea, Act II: Figli miei, miei tesorLuigi Cherubini, Gwyneth Jones, Bruno Prevedi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        6:11
      18. Medea, Act II: Hai dato pronto ascolto al mio pregarLuigi Cherubini, Gwyneth Jones, Fiorenza Cossotto, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        1:29
      19. Medea, Act II: Ah! triste canto! In suon festosoLuigi Cherubini, Gwyneth Jones, Justino Diaz, Pilar Lorengar, Bruno Prevedi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        6:39
      20. Medea, Act II: Deh posa al crin del sacro mirto il fiorLuigi Cherubini, Gwyneth Jones, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        3:43
      21. Medea, Act III: IntroduzioneLuigi Cherubini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        7:13
      22. Medea, Act III: Numi, venite a me, inferni dei!Luigi Cherubini, Gwyneth Jones, Fiorenza Cossotto, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:37
      23. Medea, Act III: Del fiero duol che il cor mi frangeLuigi Cherubini, Gwyneth Jones, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:15
      24. Medea, Act III: D'amore il raggio ancora in lei s'è spentoLuigi Cherubini, Fiorenza Cossotto, Gwyneth Jones, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        2:28
      25. Medea, Act III: E che? io son Medea!Luigi Cherubini, Gwyneth Jones, Bruno Prevedi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        7:23
      26. Medea, Act III: Tu Glauce piange sol, spietato!Luigi Cherubini, Gwyneth Jones, Bruno Prevedi, Fiorenza Cossotto, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
        5:55
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      About Luigi Cherubini

      Luigi Cherubini, born in Florence in 1760, was an Italian composer who made an indelible mark on both the Classical and Romantic eras, particularly in the realms of opera and sacred music. His journey took him to France, where he settled in 1785 and became a pivotal figure in the development of French opera. Cherubini's operatic works, which include opere serie, opéras comiques, and tragédies lyriques, are celebrated for their innovative techniques and compelling subject matter. His sacred compositions, including requiems, are equally renowned for their emotional depth and technical mastery.

      Cherubini's influence extended beyond his compositions. As the director of the Paris Conservatoire from 1822, he mentored some of the most notable figures in music history, including Hector Berlioz and Frédéric Chopin. His contemporaries, such as Ludwig van Beethoven and Gioachino Rossini, held him in high regard, with Beethoven even considering Cherubini the greatest living composer of his time. Cherubini's legacy endures through his enduring works and the profound impact he had on the musical landscape of his era.

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