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      1. Albums
      2. charpentier: torum esse vitae - marc-antoine charpentier

      Charpentier: Torum esse vitae

      Marc-Antoine CharpentierMarc-Antoine Charpentier
      • 2020
      • 10 tracks
      • 21 min
      Charpentier: Torum esse vitae - Marc-Antoine Charpentier
      Charpentier: Torum esse vitae - Marc-Antoine Charpentier

      Album Details

      Immerse yourself in the enchanting world of Baroque music with "Charpentier: Torum esse vitae," a captivating album featuring the timeless compositions of Marc-Antoine Charpentier. This exquisite collection, released on November 14, 2020, by the Orchestre Baroque d’Avignon, offers a unique arrangement of Charpentier's "Le malade imaginaire" in F Major, H.495, meticulously adapted for a mixed ensemble.

      The album spans a concise yet impactful 21 minutes, presenting a series of beautifully arranged pieces that showcase Charpentier's mastery of Baroque composition. From the lively "Prologue" to the dramatic "Combat" and the elegant "Duo Cléante Angélique," each track is a testament to Charpentier's ability to evoke a range of emotions and atmospheres. The ensemble's performance is both refined and dynamic, bringing a fresh perspective to these classic works.

      Whether you're a seasoned enthusiast of Baroque music or a newcomer eager to explore its rich tapestry, "Charpentier: Torum esse vitae" promises an enriching listening experience. The precision and artistry of the Orchestre Baroque d’Avignon, combined with Charpentier's enduring genius, make this album a standout addition to any music collection.

      November 14, 20202020 ‎Marc Antoine Charpentier2020 Orchestre Baroque d’Avignon

      Tracks

      1. Le malade imaginaire in F Major, H.495: No. 1 Prologue (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        6:05
      2. Le malade imaginaire in F Major, H.495: No. 2 Eglogue (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        0:55
      3. Le malade imaginaire in F Major, H.495: No. 3 Entrée de ballet (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        0:53
      4. Le malade imaginaire in F Major, H.495: No. 4 Combat (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        0:53
      5. Le malade imaginaire in F Major, H.495: No. 5 Duo Cléante Angélique (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        2:07
      6. Le malade imaginaire in F Major, H.495: No. 6 Intermède à quatre voix (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        4:58
      7. Le malade imaginaire in F Major, H.49: No. 7 Troisième intermède (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        1:55
      8. Le malade imaginaire in F Major, H.495: No. 8 Second aire pour les tapissiers (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        0:53
      9. Le malade imaginaire in F Major, H.495: No. 9 Bene, bene respondere (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        1:36
      10. Le malade imaginaire in F Major, H.495: No. 10 Air des révérences (Arr. for Mixed Ensemble)Marc-Antoine Charpentier, Orchestre Baroque d’Avignon, Lois de Crilhon
        0:56
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      About Marc-Antoine Charpentier

      Marc-Antoine Charpentier, a prolific and versatile French composer of the Baroque era, left an indelible mark on the musical landscape of the 17th century. Born in Paris during the reign of Louis XIV, Charpentier's work is celebrated for its rich polyphony and emotional depth. One of his most enduring compositions is the stirring theme from the prelude of his Te Deum H.146, known as the "Marche en rondeau," which continues to captivate audiences today, notably as the iconic fanfare for the Eurovision Network and the European Broadcasting Union. Charpentier's journey took him to Rome, where he absorbed Italian musical influences, making him unique among his French contemporaries. His oratorios and choral works, such as the "Third Lesson of Darkness of Holy Wednesday," showcase his mastery of vocal composition and his ability to evoke profound spiritual experiences. Charpentier's legacy endures as one of the most important figures in French Baroque music, inspiring generations of composers and musicians.

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      Marc-Antoine Charpentier

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