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      1. Albums
      2. charpentier: motets à double chœur - marc-antoine charpentier

      Charpentier: Motets à double chœur

      Marc-Antoine CharpentierMarc-Antoine Charpentier
      • 1992
      • 9 tracks
      • 2 uur, 15 min
      Charpentier: Motets à double chœur - Marc-Antoine Charpentier
      Charpentier: Motets à double chœur - Marc-Antoine Charpentier

      Album Details

      Immerse yourself in the rich, sacred music of the French Baroque with Marc-Antoine Charpentier's "Motets à double chœur." Released on September 1, 1992, this album is a profound exploration of Charpentier's masterful compositions for double choir, showcasing his intricate polyphony and expressive depth. Spanning over two hours, this collection includes notable works such as "Josué," "Mors Saulis et Jonathae," and the hauntingly beautiful "Leçons de Ténèbres" for Holy Week. Charpentier's music, characterized by its dramatic intensity and emotional resonance, is brought to life with exquisite detail and precision. This album is a testament to Charpentier's genius and his enduring influence on sacred music. Whether you're a seasoned enthusiast of Baroque music or a newcomer eager to explore its depths, this recording offers a captivating journey through some of Charpentier's most profound and moving works.

      September 1, 1992A Warner Classics/Erato Disques release, © 2004 Warner Music UK LimitedA Warner Classics/Erato Disques release, ℗ 1992 Warner Music UK Limited

      Tracks

      1. Charpentier: Josué, H. 404Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        12:18
      2. Charpentier: Mors Saulis et Jonathae, H. 403: I. Cum essent congregataMarc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        13:11
      3. Charpentier: Mors Saulis et Jonathae, H. 403: II. Cecidit repente SaulMarc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        22:21
      4. Charpentier: Canticum pro pace, H. 392Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        10:42
      5. Charpentier: Praeludium Michaelis Archangeli factum in coelo cum dracone, H. 410Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        8:53
      6. Charpentier: Troisième leçon de ténèbres du Mercredi Saint, H. 135 "Manum suam misit"Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        14:25
      7. Charpentier: Troisième leçon de ténèbres du Jeudi Saint, H. 136 "Aleph. Ego vir videns"Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        18:36
      8. Charpentier: Troisième leçon de ténèbres du Vendredi Saint, H. 137 "Incipit oratio"Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        15:02
      9. Charpentier: Quam dilecta, H. 167Marc-Antoine Charpentier, Ton Koopman, Barbara Schlick, Christoph Prégardien, Dominique Visse, Harry van Berne, Kai Wessel, Klaus Mertens, Nancy Zijlstra, Peter Kooij, Amsterdam Baroque Orchestra
        20:12
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      About Marc-Antoine Charpentier

      Marc-Antoine Charpentier, a prolific and versatile French composer of the Baroque era, left an indelible mark on the musical landscape of the 17th century. Born in Paris during the reign of Louis XIV, Charpentier's work is celebrated for its rich polyphony and emotional depth. One of his most enduring compositions is the stirring theme from the prelude of his Te Deum H.146, known as the "Marche en rondeau," which continues to captivate audiences today, notably as the iconic fanfare for the Eurovision Network and the European Broadcasting Union. Charpentier's journey took him to Rome, where he absorbed Italian musical influences, making him unique among his French contemporaries. His oratorios and choral works, such as the "Third Lesson of Darkness of Holy Wednesday," showcase his mastery of vocal composition and his ability to evoke profound spiritual experiences. Charpentier's legacy endures as one of the most important figures in French Baroque music, inspiring generations of composers and musicians.

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      Marc-Antoine Charpentier

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