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      1. Albums
      2. cavalli: heroines of the venetian baroque - francesco cavalli

      Cavalli: Heroines of the Venetian Baroque

      Francesco CavalliFrancesco Cavalli
      • 2015
      • 40 tracks
      • 1 uur, 49 min
      • choral
      Amazon bannerAmazon banner
      Cavalli: Heroines of the Venetian Baroque - Francesco Cavalli
      Cavalli: Heroines of the Venetian Baroque - Francesco Cavalli

      Album Details

      Dive into the rich tapestry of the Venetian Baroque with Francesco Cavalli's "Heroines of the Venetian Baroque," a stunning collection of arias and scenes that showcase the composer's mastery of the genre. Released in 2015, this double album features 40 tracks spanning nearly two hours of captivating music, performed by an ensemble of talented vocalists and instrumentalists.

      Cavalli, a prominent figure in 17th-century Italian music, is celebrated for his operatic works, and this album offers a comprehensive exploration of his dramatic and lyrical prowess. The selection includes excerpts from some of his most renowned operas, such as "Didone," "Giasone," "Ercole amante," and "Xerse," as well as lesser-known gems like "La Rosinda" and "La Veremonda." Each track is a testament to Cavalli's ability to convey deep emotion and intricate storytelling through his music.

      The performances are nothing short of breathtaking, with standout contributions from mezzo-soprano Anna Reinhold and soprano Roberta Mameli, whose voices burn with passion and precision. The instrumental accompaniment, featuring the treble viol of François Joubert-Caillet, adds depth and richness to the vocal performances, creating a harmonious blend that transports the listener to the opulent world of Venetian opera.

      "Heroines of the Venetian Baroque" is not just an album; it's an immersive experience that highlights the beauty and drama of the Baroque era. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this collection offers a captivating journey through the works of one of Italy's most influential composers. With its meticulous programming and stunning performances, this album is a treasure trove of musical excellence that will leave you enchanted and inspired.

      September 18, 20152015 Outhere2014 Outhere

      Tracks

      1. Le nozze di Teti e di Peleo, Atto II Scena 11: Mira questi duo lumiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
        5:43
      2. Le nozze di Teti e di Peleo, Atto II Scena 6: Sinfonia di viole a 5Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis
        1:40
      3. Le nozze di Teti e di Peleo, Atto I Scena 3: Hor con pania e con escaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Anna Reinhold
        1:25
      4. Gli amori di Apollo e di Dafne, Atto I Scena 8: Volgli, deh volgi il piedeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Thomas Dunford, François Joubert-Caillet
        7:57
      5. Didone, Atto II Scena 2: Didone, ohimè, non mi riceve amanteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Anna Reinhold
        1:29
      6. Didone, Atto II Scena 2: Re de' Getuli alteroFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
        2:44
      7. La virtù dei strali d'Amore, Atto I Scena 3: Occhi per pianger natiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Thomas Dunford, François Joubert-Caillet
        3:53
      8. Egisto, Atto III Scena 10: Amanti, se credeteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores
        1:31
      9. L'Ormindo, Atto I Scena 3: Aprite, aprite gl'occhiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, François Joubert-Caillet, Mariana Flores
        0:44
      10. La Doriclea, Atto I Scena 6: Udite amantiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores
        0:54
      11. Giasone, Atto I Scena 15: Dell'antro magicoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Anna Reinhold
        5:14
      12. Giasone, Atto II Scena 1: Lamento "Lassa, che far degg'io"Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores
        6:45
      13. Orimonte, Atto III Scena 12: Caro Ernesto / Mia Cleanta - Instrumental VersionFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Thomas Dunford
        1:42
      14. Oristeo, Atto I Scena 4: Dimmi amor, che farò?Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, François Joubert-Caillet
        3:32
      15. La Rosinda, Atto I Scena 7: Non col ramo di CumaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
        2:26
      16. La Calisto, Atto III Scena 1: Restino imbalsamateFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Mariana Flores
        2:17
      17. La Calisto, Atto III Scena 1: T'aspetto, e tu non vieniFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Mariana Flores
        2:45
      18. L'Eritrea, Prólogo: Ne le grotte arimaspeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, François Joubert-Caillet
        2:23
      19. La Veremonda, Atto III Scena 6: Tardano molto? - Qui si fa il ballo de' toriFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores, Anna Reinhold
        2:27
      20. La Veremonda, Atto III Scena 6: Che rumori, che voci - Qui se replica il ballo de' toriFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores, Anna Reinhold
        2:49
      21. L'Orione, Prologo: Sinfonia a 3Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis
        1:36
      22. Il Ciro, Atto III, Scena ultima: Mia vita - Moi beneFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet
        1:51
      23. Xerse, Atto II Scena 18: Ed è pur vero, o coreFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
        1:44
      24. Xerse, Atto II Scena 18: Luci mie che mirasteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Mariana Flores
        4:00
      25. Erismena, Atto I Scena 4: Speranze voi che sieteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
        2:41
      26. Erismena, Atto I Scena 5: O stelle, a che mi sforzateFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores
        1:42
      27. Erismena, Atto I Scena 5: A me il velenoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
        0:52
      28. La Statira, Atto II Scena 9: Menfi, mi patria, regnoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Clematis, Mariana Flores
        3:28
      29. Artemisia, Atto II Scena 6: Regina, udiste maiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Mariana Flores, Anna Reinhold
        3:47
      30. Hipermestra, Atto III Scena 14: Quest'è un gran caso al certoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Quito Gato, François Joubert-Caillet, Mariana Flores
        3:04
      31. Elena, Atto II Scena 14: Amazone non sonFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Anna Reinhold, Mariana Flores
        2:51
      32. Xerse, Atto II Scena 1: Speranze, fermateFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón
        4:08
      33. Ercole amante, Atto IV Scena 7: Una stila di spemeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis
        1:57
      34. Ercole amante, Atto I Scena 3: E vuol dunque CiprignaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores
        3:13
      35. Ercole amante, Atto I Scena 3: Ma in amor ciò ch'altri furaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
        3:01
      36. Scipione affricano, Atto III Scena 3: A tuo dispetto amorFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford
        1:40
      37. Mutio Scevola, Atto I Scena 7: Né fastosa allor che ride - Né dolente allor che fremeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores, Anna Reinhold
        1:38
      38. Pompeo Magno, Atto I Scena 17: Come al mar corrono i fiumiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
        2:07
      39. Eliogabalo, Atto III Scena 2: Giuliano al tuo ferroFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
        1:37
      40. Eliogabalo, Atto III Scena 15: Pur ti stringo, pur t'annodoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores, Anna Reinhold, Marine Chaboud, Igor Tchernov
        2:17
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      About Francesco Cavalli

      Francesco Cavalli, born in 1602 in the Venetian city of Crema, was a pivotal figure in the early Baroque period, renowned for his prolific and influential work in opera. As a pupil of the legendary Claudio Monteverdi, Cavalli succeeded his mentor as the leading opera composer of the mid-17th century. His career flourished in Venice, where he composed over thirty operas, many of which premiered in the city's pioneering theatres. Cavalli's most celebrated works include 'Ormindo' (1644), 'Giasone' (1649), and 'La Calisto' (1651), which continue to captivate audiences with their rich musical tapestry and dramatic depth. Beyond his operatic achievements, Cavalli's compositions span a broad range of genres, from sacred to secular music, reflecting his versatility and enduring impact on the Baroque era.

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      Francesco Cavalli