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      1. Albums
      2. c.p.e. bach: the solo keyboard music vol. 41: keyboard transcriptions ii - carl philipp emanuel bach

      C.P.E. Bach: The Solo Keyboard Music Vol. 41: Keyboard Transcriptions II

      Carl Philipp Emanuel BachCarl Philipp Emanuel Bach
      • 2024
      • 19 tracks
      • 1 uur, 23 min
      • classical
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      C.P.E. Bach: The Solo Keyboard Music Vol. 41: Keyboard Transcriptions II - Carl Philipp Emanuel Bach
      C.P.E. Bach: The Solo Keyboard Music Vol. 41: Keyboard Transcriptions II - Carl Philipp Emanuel Bach

      Album Details

      Immerse yourself in the intricate world of Carl Philipp Emanuel Bach with "The Solo Keyboard Music Vol. 41: Keyboard Transcriptions II," a captivating collection of solo keyboard works that showcase the composer's genius and innovation. This album, released on July 26, 2024, under the BIS label, is a testament to Bach's evolution from generic keyboard compositions to pieces tailored for specific instruments like the two-manual harpsichord and unfretted clavichord.

      The album features 19 tracks, spanning a total duration of 1 hour and 23 minutes, each meticulously arranged for solo keyboard by anonymous arrangers and edited by Miklós Spányi. The repertoire includes symphonies, concertos, polonoises, marches, and minuets, all performed with exquisite artistry by Miklós Spányi. Notable pieces include the Harpsichord Concerto No. 2 in D Major, H. 472, and the March in F Major, Wq. 116 No. 45, H. 319, offering a rich tapestry of musical styles and emotions.

      Carl Philipp Emanuel Bach, the second surviving son of Johann Sebastian Bach, was a pivotal figure in the transition from the Baroque to the Classical period. His works are characterized by their expressive depth, harmonic complexity, and innovative forms. This album provides a unique opportunity to explore Bach's solo keyboard music, revealing his mastery of the idiom and his ability to push the boundaries of musical expression.

      Whether you are a seasoned classical music enthusiast or a curious newcomer, this album promises a rewarding listening experience. The precise and nuanced performances by Miklós Spányi bring out the subtleties and grandeur of Bach's compositions, making this a compelling addition to any classical music collection.

      July 26, 20242024 BIS2024 BIS

      Tracks

      1. Symphony in C Major, Wq. 174, H. 649 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: I. Allegro assaiCarl Philipp Emanuel Bach, Miklós Spányi
        4:08
      2. Symphony in C Major, Wq. 174, H. 649 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: II. AndanteCarl Philipp Emanuel Bach, Miklós Spányi
        3:31
      3. Symphony in C Major, Wq. 174, H. 649 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: III. AllegroCarl Philipp Emanuel Bach, Miklós Spányi
        3:17
      4. Allegro ma non troppo in E-Flat Major, Wq. 116 No. 52, H. 326 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        3:48
      5. Polonoise in E flat Major, Wq 116/44 (H. 318) in E Flat Major: Polonoise in E-Flat Major, Wq. 116 No. 44, H. 318 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        1:22
      6. March in F Major, Wq. 116 No. 45, H. 319 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        1:56
      7. Menuet in G Major, Wq. 116 No. 48, H. 322 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        1:06
      8. 6 Harpsichord Concertos, Wq. 43, No. 2 in D Major, H. 472 (Version for Solo Keyboard): I. Allegro di moltoCarl Philipp Emanuel Bach, Miklós Spányi
        9:29
      9. 6 Harpsichord Concertos, Wq. 43, No. 2 in D Major, H. 472 (Version for Solo Keyboard): II. AndanteCarl Philipp Emanuel Bach, Miklós Spányi
        5:13
      10. 6 Harpsichord Concertos, Wq. 43, No. 2 in D Major, H. 472 (Version for Solo Keyboard): III. AllegrettoCarl Philipp Emanuel Bach, Miklós Spányi
        9:50
      11. Allegro in E Major, Wq. 116 No. 37, H. 311 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        2:29
      12. Menuet in F Major, Wq. 116 No. 32, H. 306 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        3:01
      13. 6 Harpsichord Concertos, Wq. 43, No. 3 in E-Flat Major, H. 473 (Version for Solo Keyboard): I. AllegroCarl Philipp Emanuel Bach, Miklós Spányi
        8:09
      14. 6 Harpsichord Concertos, Wq. 43, No. 3 in E-Flat Major, H. 473 (Version for Solo Keyboard): II. LarghettoCarl Philipp Emanuel Bach, Miklós Spányi
        3:33
      15. 6 Harpsichord Concertos, Wq. 43, No. 3 in E-Flat Major, H. 473 (Version for Solo Keyboard): III. PrestoCarl Philipp Emanuel Bach, Miklós Spányi
        5:26
      16. Menuet in G Major, Wq. 116 No. 30, H. 304 (Arr. for Keyboard by Anonymous)Carl Philipp Emanuel Bach, Miklós Spányi
        2:44
      17. Symphony in E-Flat Major, Wq 179, H. 654 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: I. PrestissimoCarl Philipp Emanuel Bach, Miklós Spányi
        4:54
      18. Symphony in E-Flat Major, Wq 179, H. 654 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: II. LarghettoCarl Philipp Emanuel Bach, Miklós Spányi
        3:41
      19. Symphony in E-Flat Major, Wq 179, H. 654 (Arr. for Keyboard by Anonymous) [Ed. Spányi]: III. PrestoCarl Philipp Emanuel Bach, Miklós Spányi
        5:18
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      About Carl Philipp Emanuel Bach

      Carl Philipp Emanuel Bach, born in 1714, was a pioneering composer who seamlessly bridged the Baroque and Classical periods, carving out his own distinctive musical identity beyond the shadow of his renowned father, Johann Sebastian Bach. As the second surviving son, Carl Philipp Emanuel's compositions are celebrated for their approachable yet innovative nature, characterised by unexpected, angular melodies and a dynamic, energetic spirit. His works, including his influential sonatas for keyboard and violin, have left a lasting impact on the classical music landscape.

      Beyond his compositions, Carl Philipp Emanuel Bach was also a notable performer and music publisher. His Essay on the True Art of Playing Keyboard Instruments, published in 1753, remains a significant contribution to musical pedagogy. Throughout his career, he was both revered and criticised for his bold musical departures, solidifying his status as a transitional figure in music history. Carl Philipp Emanuel Bach passed away in 1788, leaving behind a rich musical legacy that continues to inspire and captivate audiences today.

      126,529 Followers

      Carl Philipp Emanuel Bach

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