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      1. Albums
      2. byrd: infelix ego & other sacred music - william byrd

      Byrd: Infelix ego & Other Sacred Music

      William ByrdWilliam Byrd
      • 2010
      • 15 tracks
      • 1 uur, 1 min
      • choral
      Byrd: Infelix ego & Other Sacred Music - William Byrd
      Byrd: Infelix ego & Other Sacred Music - William Byrd

      Album Details

      Immerse yourself in the sacred and timeless beauty of William Byrd's choral masterpieces with "Byrd: Infelix ego & Other Sacred Music." This 2010 release from Hyperion is the thirteenth volume in The Cardinall's Musick's celebrated Byrd Edition, showcasing the composer's profound contributions to sacred music. The album features 15 tracks, including the hauntingly beautiful "Infelix ego," which earned the Gramophone Record of the Year Award in 2010. Spanning nearly an hour, this collection is a testament to Byrd's mastery of choral and Gregorian chant, with pieces drawn from his "Gradualia" and "Cantiones Sacrae" collections. The Cardinall's Musick, under the direction of Andrew Carwood, delivers a performance of exquisite precision and emotional depth, making this album a cornerstone of any classical music enthusiast's library. Whether you're a longtime admirer of Byrd's work or new to his compositions, this album offers a rich and rewarding listening experience.

      1 februari 2010© 2010 Hyperion Records Limited℗ 2010 Hyperion Records Limited

      Tracks

      1. Venite, exsultemus Domino a 6, T. 164 (Gradualia, 1607)William Byrd, The Cardinall's Musick, Andrew Carwood
        3:17
      2. Domine, non sum dignus a 6 (Cantiones Sacrae, 1591)William Byrd, Andrew Carwood, The Cardinall's Musick
        3:13
      3. Visita quaesumus, Domine a 4, T. 98 (Gradualia, 1605)William Byrd, Andrew Carwood, The Cardinall's Musick
        3:42
      4. Domine, salva nos a 6 (Cantiones Sacrae, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        3:23
      5. Haec dies a 6 (Cantiones Sacrae, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:28
      6. Cunctis diebus a 6 (Cantiones Sacrae, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        5:43
      7. Gaudeamus omnes … Sanctorum omnium a 5, T. 78 (Gradualia, 1605)William Byrd, The Cardinall's Musick, Andrew Carwood
        4:56
      8. Timete Dominum – Venite ad Me a 5, T. 85 (Gradualia, 1605)William Byrd, The Cardinall's Musick, Andrew Carwood
        4:33
      9. Iustorum animae a 5, T. 86 (Gradualia, 1605)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:39
      10. Beati mundo corde a 5, T. 87 (Gradualia, 1605)William Byrd, The Cardinall's Musick, Andrew Carwood
        3:12
      11. Deo gratias a 4, T. 107 (Gradualia, 1605)William Byrd, The Cardinall's Musick, Andrew Carwood
        0:53
      12. Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae II, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        5:06
      13. Cantate Domino a 6 (Cantiones Sacrae II, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:18
      14. Laudate Dominum, omnes gentes a 6, T. 163 (Gradualia, 1607)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:53
      15. Infelix ego a 6, T. 50 (Cantiones Sacrae, 1591)William Byrd, The Cardinall's Musick, Andrew Carwood
        12:53
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      About William Byrd

      William Byrd, born around 1540, stands as one of England's most revered composers of the Renaissance era, renowned for his profound influence on both English and Continental music. A prolific composer, Byrd's extensive repertoire spans sacred and secular works, showcasing his mastery of choral, keyboard, and consort music. His compositions, nearly 600 of which have survived, reflect a deep musical sophistication and emotional depth, blending technical brilliance with heartfelt expression.

      Byrd's career flourished under the patronage of Queen Elizabeth I, yet his Catholic faith often placed him at odds with the religious tensions of his time. This personal conviction is evident in his music, which includes works for both Anglican and Catholic services, as well as secular pieces that elevated the English madrigal and keyboard styles.

      A protégé of the esteemed composer Thomas Tallis, Byrd's innovations in harmony and structure have left an indelible mark on the history of music. His legacy endures, celebrated for its rich tapestry of sacred and secular compositions that continue to inspire and captivate audiences today.

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      William Byrd

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