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      1. Albums
      2. byrd: cantiones sacrae 1575 - william byrd

      Byrd: Cantiones Sacrae 1575

      William ByrdWilliam Byrd
      • 1999
      • 15 tracks
      • 1 uur, 12 min
      • choral
      Byrd: Cantiones Sacrae 1575 - William Byrd
      Byrd: Cantiones Sacrae 1575 - William Byrd

      Album Details

      Immerse yourself in the sacred polyphony of the English Renaissance with William Byrd's "Byrd: Cantiones Sacrae 1575." This album, released in 1999 under the Decca label, is a meticulous collection of 15 motets, each a testament to Byrd's mastery of choral composition. Performed by The Cardinall's Musick under the direction of Andrew Carwood, the album spans a captivating 73 minutes, offering a rich tapestry of Gregorian chant influences and intricate part-writing that characterizes Byrd's sacred music.

      The album showcases Byrd's early motets, originally published in 1575, which blend Latin texts with complex, expressive polyphony. Tracks like "Emendemus in melius" and "Libera me, Domine" exemplify Byrd's ability to convey deep spiritual fervor through his music. The performances are marked by their clarity and precision, bringing out the contrapuntal richness and harmonic subtleties of Byrd's writing.

      This recording is part of The Byrd Edition, a comprehensive series dedicated to the works of William Byrd. It provides a valuable insight into the composer's early sacred output, highlighting his innovative approach to Renaissance choral music. Whether you're a seasoned enthusiast of early music or a newcomer to the genre, this album offers a profound and rewarding listening experience.

      1 januari 1999© 1999 ASV Ltd.℗ 1999 ASV Ltd.

      Tracks

      1. Emendemus in melius a5 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        3:13
      2. Libera me, Domine, et pone me a5 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        6:47
      3. Peccantem me quotidie a5 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        6:29
      4. Aspice, Domine quia facta est a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        5:11
      5. Attolite portas a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        4:13
      6. O lux beata Trinitas a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        4:21
      7. Laudate pueri Dominum a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        4:12
      8. Memento, homo a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:20
      9. Siderum rector a5 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:56
      10. Da mihi auxilium a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        5:50
      11. Domine, secundum actum meum a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        6:24
      12. Diliges Dominum a8 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:42
      13. Miserere mihi, Domine a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        2:06
      14. Tribue Domine a6 (Cantiones sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        11:25
      15. Libera me, Domine, de morte aeterna a5 (Cantiones Sacrae 1575)William Byrd, The Cardinall's Musick, Andrew Carwood
        3:52
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      About William Byrd

      William Byrd, born around 1540, stands as one of England's most revered composers of the Renaissance era, renowned for his profound influence on both English and Continental music. A prolific composer, Byrd's extensive repertoire spans sacred and secular works, showcasing his mastery of choral, keyboard, and consort music. His compositions, nearly 600 of which have survived, reflect a deep musical sophistication and emotional depth, blending technical brilliance with heartfelt expression.

      Byrd's career flourished under the patronage of Queen Elizabeth I, yet his Catholic faith often placed him at odds with the religious tensions of his time. This personal conviction is evident in his music, which includes works for both Anglican and Catholic services, as well as secular pieces that elevated the English madrigal and keyboard styles.

      A protégé of the esteemed composer Thomas Tallis, Byrd's innovations in harmony and structure have left an indelible mark on the history of music. His legacy endures, celebrated for its rich tapestry of sacred and secular compositions that continue to inspire and captivate audiences today.

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      William Byrd

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