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      1. Albums
      2. bruch: pieces for violoncello and orchestra - max bruch

      Bruch: Pieces for Violoncello and Orchestra

      Max BruchMax Bruch
      • 2011
      • 10 tracks
      • 1 uur, 3 min
      • classical
      Bruch: Pieces for Violoncello and Orchestra - Max Bruch
      Bruch: Pieces for Violoncello and Orchestra - Max Bruch

      Album Details

      Immerse yourself in the timeless elegance of Max Bruch's "Pieces for Violoncello and Orchestra," a captivating collection of classical masterpieces released on June 7, 2011, by Ars Produktion. This album is a testament to Bruch's enduring legacy, showcasing his exquisite compositions that have enchanted audiences for generations. Spanning a duration of 1 hour and 3 minutes, the album is a rich tapestry of musical brilliance, featuring renowned works such as "Kol Nidrei, Op. 47," "Canzone, Op. 55," and the hauntingly beautiful "Ave Maria, Op. 61." The centerpiece of the album is the "Suite on Russian Themes, Op. 79b," a seven-movement suite that offers a vivid journey through Russian folk melodies and rhythms, masterfully arranged for cello and orchestra. Each piece is a showcase of Bruch's ability to blend lyrical melodies with intricate orchestral textures, creating a listening experience that is both profound and deeply moving. Whether you are a seasoned classical connoisseur or a newcomer to the genre, this album is a must-explore addition to your music library, offering a profound and enriching experience that highlights the timeless beauty of Max Bruch's compositions.

      June 7, 20112011 Ars Produktion2011 (P) Ars Produktion

      Tracks

      1. Kol nidrei, Op. 47Max Bruch, Friedrich Kleinhapl, Czech Radio Symphony Orchestra, Jan Kučera
        10:07
      2. Canzone, Op. 55Max Bruch, Friedrich Kleinhapl, Czech Radio Symphony Orchestra, Jan Kučera
        8:15
      3. Adagio nach keltischen Melodien, Op. 56Max Bruch, Friedrich Kleinhapl, Czech Radio Symphony Orchestra, Jan Kučera
        7:59
      4. Romance in F Major, Op. 85: Romanze in F Major, Op. 85 (Arr. K. Friedrich for cello and orchestra)Max Bruch, Friedrich Kleinhapl, Czech Radio Symphony Orchestra, Jan Kučera
        8:38
      5. Ave Maria, Op. 61Max Bruch, Friedrich Kleinhapl, Czech Radio Symphony Orchestra, Jan Kučera
        9:18
      6. Suite on Russian Themes, Op. 79b: I. Andante sostenutoMax Bruch, Pavel Sochurek, Czech Radio Symphony Orchestra, Jan Kučera
        2:47
      7. Suite on Russian Themes, Op. 79b: II. Adagio, ma non troppo lento - III. VivaceMax Bruch, Pavel Sochurek, Czech Radio Symphony Orchestra, Jan Kučera
        4:19
      8. Suite on Russian Themes, Op. 79b: IV. Dance. Vivace ma non troppoMax Bruch, Pavel Sochurek, Czech Radio Symphony Orchestra, Jan Kučera
        2:55
      9. Suite on Russian Themes, Op. 79b: V. Adagio sostenuto - VI. Funeral March: Andante sostenutoMax Bruch, Pavel Sochurek, Czech Radio Symphony Orchestra, Jan Kučera
        5:59
      10. Suite on Russian Themes, Op. 79b: VII. Allegro energico, ma non troppoMax Bruch, Pavel Sochurek, Czech Radio Symphony Orchestra, Jan Kučera
        3:22
      PLAY ON SPOTIFY

      About Max Bruch

      Max Bruch, born in 1838, was a prominent German Romantic composer, violinist, teacher, and conductor whose musical legacy continues to captivate audiences worldwide. Throughout his prolific career, Bruch composed over 200 works, but it is his Violin Concerto No. 1 in G minor that has secured his place in the annals of classical music. This concerto, a staple of the violin repertoire, showcases Bruch's mastery of melody and orchestration, offering a rich and emotive experience for both performers and listeners alike. Bruch's journey in the music world spanned from the influence of Mendelssohn to the dawn of Schoenberg's atonal compositions, reflecting a lifetime dedicated to the evolution of musical expression. Beyond his concertos, Bruch's extensive catalog includes a variety of orchestral, chamber, and choral works, each bearing the hallmark of his distinctive Romantic style. His contributions as a conductor and teacher further cement his influence, making Max Bruch a figure of enduring significance in the classical music landscape.

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      Max Bruch

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