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      1. Albums
      2. bruch: moses, op. 67 - max bruch

      Bruch: Moses, Op. 67

      Max BruchMax Bruch
      • 2016
      • 19 tracks
      • 1 uur, 55 min
      • classical
      Bruch: Moses, Op. 67 - Max Bruch
      Bruch: Moses, Op. 67 - Max Bruch

      Album Details

      Dive into the rich tapestry of Max Bruch's "Moses, Op. 67," a monumental oratorio that stands as a testament to the composer's mastery of choral and orchestral writing. Originally composed in 1895, this two-part work is a biblical narrative that brings to life the story of Moses, from his ascent to Mount Sinai to the Israelites' journey to the Promised Land. The album, released in 2016 by Orfeo, features the powerful performances of the Bamberg Symphony Orchestra and the Chor der Bamberger Symphoniker, conducted by Claus Peter Flor.

      "Moses, Op. 67" is a sweeping exploration of faith, redemption, and the human struggle, set against the backdrop of some of the most dramatic moments in the Old Testament. The oratorio is divided into two parts, each containing a series of recitatives, arias, and choral pieces that weave together to create a cohesive and compelling narrative. From the solemnity of "At Sinai" to the triumphant "The Promised Land," each section is a masterclass in orchestration and vocal arrangement, showcasing Bruch's ability to evoke a wide range of emotions and atmospheres.

      The album spans a duration of 1 hour and 55 minutes, offering a substantial and immersive listening experience. Whether you're a longtime fan of Bruch's work or a newcomer to his compositions, "Moses, Op. 67" is sure to captivate and inspire. The album's 19 tracks are performed with precision and passion, bringing Bruch's vision to life in a way that is both powerful and moving. Don't miss out on this opportunity to experience one of the great choral works of the late Romantic era, performed by some of today's most talented musicians.

      January 1, 20162016 Orfeo2016 Orfeo

      Tracks

      1. Moses, Op. 67, Pt. 1: At Sinai. Jehova selbst, der Herr, hat erlost sein VolkMax Bruch, Claus Peter Flor, Chor der Bamberger Symphoniker, Bamberg Symphony
        6:06
      2. Moses, Op. 67, Pt. 1: At Sinai. Mose, du Knecht des Herrn, siehMax Bruch, Elizabeth Whitehouse, Bamberg Symphony, Claus Peter Flor
        6:32
      3. Moses, Op. 67, Pt. 1: At Sinai. Auf, hervor aus euren ZeltenMax Bruch, Michael Volle, Bamberg Symphony, Claus Peter Flor
        4:10
      4. Moses, Op. 67, Pt. 1: At Sinai. Herr, Gott, du bist uns're Zuflucht fur und fur!Max Bruch, Claus Peter Flor, Michael Volle, Robert Gambill, Chor der Bamberger Symphoniker, Bamberg Symphony
        10:16
      5. Moses, Op. 67, Pt. 1: At Sinai. Mose, so spricht der HerrMax Bruch, Michael Volle, Robert Gambill, Elizabeth Whitehouse, Bamberg Symphony, Claus Peter Flor
        7:31
      6. Moses, Op. 67, Pt. 1: At Sinai. Er steigt hinanMax Bruch, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        2:53
      7. Moses, Op. 67, Pt. 1: The Golden Calf. Ach Herr, wie so langMax Bruch, Claus Peter Flor, Chor der Bamberger Symphoniker, Bamberg Symphony
        7:11
      8. Moses, Op. 67, Pt. 1: The Golden Calf. Israel, schicke dich!Max Bruch, Robert Gambill, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        7:35
      9. Moses, Op. 67, Pt. 1: The Golden Calf. Abtrunnige, kam es dahin mit euch?Max Bruch, Michael Volle, Robert Gambill, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        6:22
      10. Moses, Op. 67, Pt. 2: The Return of the Scouts from Canaan. Gluck zu, es gelang, o seliger Tag!Max Bruch, Bamberg Symphony, Claus Peter Flor, Chor der Bamberger Symphoniker
        6:25
      11. Moses, Op. 67, Pt. 2: The Return of the Scouts from Canaan. Die ich entsandt', die BotenMax Bruch, Michael Volle, Bamberg Symphony, Claus Peter Flor
        1:59
      12. Moses, Op. 67, Pt. 2: The Return of the Scouts from Canaan. Zur Hollen Pforten fahre ich dahinMax Bruch, Robert Gambill, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        8:46
      13. Moses, Op. 67, Pt. 2: The Return of the Scouts from Canaan. Stosset in die Halldrommeten!Max Bruch, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor, Michael Volle, Elizabeth Whitehouse
        6:05
      14. Moses, Op. 67, Pt. 2: The Promised Land. Hor', Moses, was der Herr beschlossen hatMax Bruch, Elizabeth Whitehouse, Bamberg Symphony, Claus Peter Flor
        9:49
      15. Moses, Op. 67, Pt. 2: The Promised Land. Du bist der Herr, ich habe nichts zu sagenMax Bruch, Michael Volle, Bamberg Symphony, Claus Peter Flor
        3:05
      16. Moses, Op. 67, Pt. 2: The Promised Land. Aus Wustensand nun ins GebirgMax Bruch, Claus Peter Flor, Chor der Bamberger Symphoniker, Bamberg Symphony
        5:55
      17. Moses, Op. 67, Pt. 2: The Promised Land. Geprisen seist du, meiner Vater GottMax Bruch, Michael Volle, Bamberg Symphony, Claus Peter Flor
        6:42
      18. Moses, Op. 67, Pt. 2: The Promised Land. Also starb Mose, der Knecht der HerrnMax Bruch, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        2:01
      19. Moses, Op. 67, Pt. 2: The Promised Land. Die richtig vor sich gewandelt habenMax Bruch, Chor der Bamberger Symphoniker, Bamberg Symphony, Claus Peter Flor
        5:30
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      About Max Bruch

      Max Bruch, born in 1838, was a prominent German Romantic composer, violinist, teacher, and conductor whose musical legacy continues to captivate audiences worldwide. Throughout his prolific career, Bruch composed over 200 works, but it is his Violin Concerto No. 1 in G minor that has secured his place in the annals of classical music. This concerto, a staple of the violin repertoire, showcases Bruch's mastery of melody and orchestration, offering a rich and emotive experience for both performers and listeners alike. Bruch's journey in the music world spanned from the influence of Mendelssohn to the dawn of Schoenberg's atonal compositions, reflecting a lifetime dedicated to the evolution of musical expression. Beyond his concertos, Bruch's extensive catalog includes a variety of orchestral, chamber, and choral works, each bearing the hallmark of his distinctive Romantic style. His contributions as a conductor and teacher further cement his influence, making Max Bruch a figure of enduring significance in the classical music landscape.

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