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      1. Albums
      2. bruch, m.: arminius - max bruch

      Bruch, M.: Arminius

      Max BruchMax Bruch
      • 2009
      • 19 tracks
      • 1 uur, 29 min
      • classical
      Bruch, M.: Arminius - Max Bruch
      Bruch, M.: Arminius - Max Bruch

      Album Details

      Immerse yourself in the epic historical narrative of Max Bruch's "Arminius," a monumental oratorio that stands as a testament to the composer's mastery of the genre. Composed between 1875 and 1877, this grand work is a dramatic retelling of the story of Arminius, the Germanic chieftain who famously defeated the Roman legions in the Battle of the Teutoburg Forest. Bruch's "Arminius" is not just a musical work; it's a vivid portrayal of heroism, conflict, and the struggle for freedom.

      The oratorio is divided into several scenes, each rich with dramatic tension and musical depth. From the ominous opening chorus to the triumphant final chorus, Bruch's score is a journey through the heart of a pivotal moment in history. The work features a variety of vocal and choral passages, showcasing the composer's ability to convey a wide range of emotions and narratives through music.

      The Göttingen Symphony Orchestra, under the direction of Hans-Dieter Schaefer, brings Bruch's score to life with precision and passion. The performances by the soloists, including Birgitte Eittinger, Max Begemann, and others, are equally compelling, adding layers of depth and intensity to the storytelling.

      "Arminius" is a work that demands attention and rewards repeated listening. The intricate interplay of voices and orchestra, the rich harmonies, and the powerful choruses all combine to create a listening experience that is both engaging and enlightening. Whether you are a fan of classical music, a history enthusiast, or simply someone looking for a profound musical experience, Max Bruch's "Arminius" is sure to captivate and inspire.

      August 25, 20092009 CPO2009 CPO

      Tracks

      1. Arminius, Op. 43: Introduction. Was walzt sich, dunkeln Wetterwolken gleich (Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        3:09
      2. Arminius, Op. 43: Introduction, Recitative. Es sind die Schaaren Latiums (Arminius, Chorus, Siegmund)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        3:02
      3. Arminius, Op. 43: Introduction. Wir sind des Mars gewalt'ge Sohne (Chorus of Romans)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:41
      4. Arminius, Op. 43: Introduction, Recitative. Doch hier ist ihrer Herrschaft Grenze (Arminius)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        0:25
      5. Arminius, Op. 43: Introduction. Wir, Wodans freie Sohne (Chorus) - Duet. Frei schwebt der Adler in den Luften [Arminius, Siegmund]Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        5:31
      6. Arminius, Op. 43, In the sacred forest, Scene. Prelude - Recitative. In des Waldes Hallen rauscht es leis' geheimnisvoll (Priestess, Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        9:40
      7. Arminius, Op. 43: In the sacred forest: Ihr Gotter, Walhallas Bewohner, o neiget euch gnadig (Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:13
      8. Arminius, Op. 43: The Insurrection, Recitative. O dass ich kunden muss meines Volkes Schmach! (Arminius, Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        6:19
      9. Arminius, Op. 43: The Insurrection, Recitative. O Jammer dieser dunkeln Tage (Siegmund) - Aria. Ich erschlug ihn und floh [Siegmund]Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:08
      10. Arminius, Op. 43: The Insurrection: Ich habe sie geseh'n, o viele sah' ich meiner tapfern (Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:22
      11. Arminius, Op. 43, the Insurrection, Scene: Dulden wir langer die Schmach (Arminius)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        6:43
      12. Arminius, Op. 43: The Insurrection, Battle Song. Zum Kampf! Zum Kampf! (Arminius, Siegmund, Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:43
      13. Arminius, Op. 43: The Battle, Recitative. Dumpf erdrohnet der Forst vom heulenden Sturm (Priestess) - Aria. Wodan! Gottlicher, Schlachtenlenker! [Priestess]Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        8:04
      14. Arminius, Op. 43: The Battle: Wie donnernd vom Felsen der Strom Schaumend (Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        3:13
      15. Arminius, Op. 43: The Battle, Recitative. Hehre Mutter, Freya, gottliche (Priestess, Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        3:48
      16. Arminius, Op. 43, the Battle, Scene. Recitative. Weh mir, ich sterbe (Siegmund, Chorus)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        9:21
      17. Arminius, Op. 43: The Battle: Horch, horch, es nahen Siegesklange, und tausend (Women, Chorus of Returning Warriors)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        1:54
      18. Arminius, Op. 43: The Battle, Recitative. Nicht meine Kraft, der Gotter Hulfe war's (Arminius)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        1:44
      19. Arminius, Op. 43: The Battle, Final Chorus. Gross ist der Ruhm der deutschen Sohne! (Priestess, Chorus, Arminius)Max Bruch, Hans Christoph Begemann, Michael Smallwood, Ursula Eittinger, Ryoko Morooka, Rheinische Kantorei, Göttinger Symphonie Orchester, Hermann Max
        4:02
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      About Max Bruch

      Max Bruch, born in 1838, was a prominent German Romantic composer, violinist, teacher, and conductor whose musical legacy continues to captivate audiences worldwide. Throughout his prolific career, Bruch composed over 200 works, but it is his Violin Concerto No. 1 in G minor that has secured his place in the annals of classical music. This concerto, a staple of the violin repertoire, showcases Bruch's mastery of melody and orchestration, offering a rich and emotive experience for both performers and listeners alike. Bruch's journey in the music world spanned from the influence of Mendelssohn to the dawn of Schoenberg's atonal compositions, reflecting a lifetime dedicated to the evolution of musical expression. Beyond his concertos, Bruch's extensive catalog includes a variety of orchestral, chamber, and choral works, each bearing the hallmark of his distinctive Romantic style. His contributions as a conductor and teacher further cement his influence, making Max Bruch a figure of enduring significance in the classical music landscape.

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