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      1. Albums
      2. brahms: double concerto, beethoven: triple concerto - pinchas zukerman

      Brahms: Double Concerto, Beethoven: Triple Concerto

      Pinchas ZukermanPinchas Zukerman
      • 1997
      • 6 tracks
      • 1 uur, 10 min
      • chamber music
      Brahms: Double Concerto, Beethoven: Triple Concerto - Pinchas Zukerman
      Brahms: Double Concerto, Beethoven: Triple Concerto - Pinchas Zukerman

      Album Details

      Immerse yourself in the captivating world of classical music with Pinchas Zukerman's 1997 album, "Brahms: Double Concerto, Beethoven: Triple Concerto." This exquisite collection showcases Zukerman's virtuosity as both a violinist and conductor, accompanied by the incomparable Ralph Kirshbaum on cello and Christoph Eschenbach on piano.

      The album opens with Brahms' Concerto for Violin, Cello and Orchestra in A Minor, Op. 102, a piece that beautifully highlights the intricate interplay between the violin and cello. Zukerman and Kirshbaum's performance is nothing short of breathtaking, with each note resonating with depth and emotion. The second movement, Andante II, is a poignant testament to their musical synergy, while the Vivace non troppo III closes the concerto with a lively and spirited finale.

      The second half of the album features Beethoven's Concerto for Piano, Violin, Cello and Orchestra, Op. 56, known as the "Triple Concerto." Zukerman, Eschenbach, and Kirshbaum deliver a masterful performance, showcasing their individual brilliance and collective harmony. The Allegro I is a dynamic and energetic start, followed by the serene and contemplative Largo - attacca. The album concludes with the Rondo alla Polacca, a lively and rhythmic piece that leaves the listener in awe of the performers' skill and artistry.

      Recorded in 1997 and released under the RCA Red Seal label, this album is a testament to the enduring power of classical music. With a total duration of 1 hour and 10 minutes, it offers a rich and immersive listening experience that is sure to delight both seasoned classical music enthusiasts and newcomers alike.

      December 30, 1997(P) 1998 BMG Entertainment

      Tracks

      1. Concerto for Violin, Cello and Orchestra in A Minor, Op. 102: Allegro I.Johannes Brahms, Pinchas Zukerman, Ralph Kirshbaum, Christoph Eschenbach
        17:38
      2. Concerto for Violin, Cello and Orchestra in A Minor, Op. 102: Andante II.Johannes Brahms, Pinchas Zukerman, Ralph Kirshbaum, Christoph Eschenbach
        8:05
      3. Concerto for Violin, Cello and Orchestra in A Minor, Op. 102: Vivace non troppo III.Johannes Brahms, Pinchas Zukerman, Ralph Kirshbaum, Christoph Eschenbach
        8:37
      4. Concerto for Piano, Violin, Cello and Orchestra, Op.56: I. AllegroLudwig van Beethoven, Pinchas Zukerman, Ralph Kirshbaum, John Browning, London Symphony Orchestra, Christoph Eschenbach
        17:38
      5. Concerto for Piano, Violin, Cello and Orchestra, Op.56: II. Largo - attaccaLudwig van Beethoven, Pinchas Zukerman, Ralph Kirshbaum, John Browning, London Symphony Orchestra, Christoph Eschenbach
        5:16
      6. Concerto for Piano, Violin, Cello and Orchestra, Op.56: III. Rondo alla PolaccaLudwig van Beethoven, Pinchas Zukerman, Ralph Kirshbaum, John Browning, London Symphony Orchestra, Christoph Eschenbach
        13:14
      PLAY ON SPOTIFY

      About Pinchas Zukerman

      Pinchas Zukerman is a renowned Israeli-American virtuoso, celebrated for his mastery of the violin, viola, and conducting. Born in Tel Aviv in 1948, Zukerman's illustrious career spans over five decades, making him one of the most versatile and sought-after musicians of our time. He began his musical journey at the prestigious Juilliard School under the tutelage of Ivan Galamian, quickly rising to prominence in the classical music world. Zukerman's artistry extends beyond performance; he is also a dedicated conductor and pedagogue, sharing his passion and expertise with the next generation of musicians. His genre-defining work in chamber and classical music continues to captivate audiences worldwide, solidifying his status as a true legend in the realm of classical music.

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