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      1. Albums
      2. bonporti, f.a.: concertos a 4, op. 11 - nos. 1, 3, 5, 6, 8 / concerto e serenata, op. 12 - nos. 6, 8 - francesco antonio bonporti

      Bonporti, F.A.: Concertos A 4, Op. 11 - Nos. 1, 3, 5, 6, 8 / Concerto E Serenata, Op. 12 - Nos. 6, 8

      Francesco Antonio BonportiFrancesco Antonio Bonporti
      • 1997
      • 21 tracks
      • 1 uur, 9 min
      Bonporti, F.A.: Concertos A 4, Op. 11 - Nos. 1, 3, 5, 6, 8 / Concerto E Serenata, Op. 12 - Nos. 6, 8 - Francesco Antonio Bonporti
      Bonporti, F.A.: Concertos A 4, Op. 11 - Nos. 1, 3, 5, 6, 8 / Concerto E Serenata, Op. 12 - Nos. 6, 8 - Francesco Antonio Bonporti

      Album Details

      Immerse yourself in the enchanting world of Baroque music with Francesco Antonio Bonporti's "Concertos A 4, Op. 11 - Nos. 1, 3, 5, 6, 8 / Concerto E Serenata, Op. 12 - Nos. 6, 8." This captivating album, released on January 1, 1997, under the Sono Luminus label, showcases the exquisite compositions of the Italian priest and amateur composer, Francesco Antonio Bonporti (1672-1749). Spanning a duration of 1 hour and 9 minutes, this collection features 21 tracks that beautifully encapsulate the elegance and sophistication of the Baroque era.

      The album is performed by the renowned Stanley Ritchie and the Bloomington Baroque, who bring Bonporti's works to life with their masterful interpretations. The concertos and serenatas presented here are a testament to Bonporti's skill in blending the rich harmonic language of his time with the expressive melodies that define the Baroque period. Each piece is a journey through the intricate and refined world of Bonporti's musical imagination, offering a delightful mix of allegros, largos, and vivaces that showcase the full range of emotional and technical virtuosity.

      From the lively and energetic "Allegro" movements to the serene and contemplative "Largo" and "Adagio" sections, this album is a treasure trove of musical delights. The "Siciliana" and "Paesana" movements add a touch of regional flavor, while the "Aria variata" offers a playful and inventive exploration of thematic development. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album promises a rewarding and enriching listening experience.

      1 januari 19971997 Sono Luminus1997 Sono Luminus

      Tracks

      1. Concerto a 4 in D Major, Op. 11, No. 8: I. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:46
      2. Concerto a 4 in D Major, Op. 11, No. 8: II. LargoFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:53
      3. Concerto a 4 in D Major, Op. 11, No. 8: III. VivaceFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:07
      4. Concerto a 4 in F Major, Op. 11, No. 5: I. LargetoFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        5:46
      5. Concerto a 4 in F Major, Op. 11, No. 5: II. Recitativo. Adagio assaiFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:08
      6. Concerto a 4 in F Major, Op. 11, No. 5: III. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:01
      7. Concertino e serenate in A Major, Op. 12, No. 6: I. LargoFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:00
      8. Concertino e serenate in A Major, Op. 12, No. 6: II. PaesanaFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        6:17
      9. Concertino e serenate in A Major, Op. 12, No. 6: III. ChiusaFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        1:51
      10. Concerto a 4 in A Major, Op. 11, No. 1: I. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:21
      11. Concerto a 4 in A Major, Op. 11, No. 1: II. Siciliana: LargetoFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:09
      12. Concerto a 4 in A Major, Op. 11, No. 1: III. Allegro assaiFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:46
      13. Concertino e serenate in F Major, Op. 12, No. 8: I. Largo assaiFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        4:17
      14. Concertino e serenate in F Major, Op. 12, No. 8: II. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:20
      15. Concertino e serenate in F Major, Op. 12, No. 8: III. Aria variataFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:00
      16. Concerto a 4 in F Major, Op. 11, No. 6: I. Comodo - II. GraveFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:46
      17. Concerto a 4 in F Major, Op. 11, No. 6: III. Andante assaiFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        1:52
      18. Concerto a 4 in F Major, Op. 11, No. 6: IV. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        2:56
      19. Concerto a 4 in B-Flat Major, Op. 11, No. 3: I. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:24
      20. Concerto a 4 in B-Flat Major, Op. 11, No. 3: II. Siciliana cromatica: AndanteFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        3:24
      21. Concerto a 4 in B-Flat Major, Op. 11, No. 3: III. AllegroFrancesco Antonio Bonporti, Stanley Ritchie, Bloomington Baroque
        4:09
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      About Francesco Antonio Bonporti

      Francesco Antonio Bonporti, born in 1672 in Trento, Italy, was a priest and accomplished amateur composer whose music continues to captivate audiences today. Trained in Innsbruck and educated in theology and composition, Bonporti's work reflects the influence of his contemporary, Arcangelo Corelli, and is often praised for its quality and depth. His solo violin music, in particular, is so compelling that it has been mistaken for the works of J. S. Bach. Bonporti's compositions, which include concertos, serenades, and motets, offer a rich exploration of Baroque chamber music, making him a notable figure in the musical landscape of his time. His legacy endures through his recordings and sheet music, providing both scholars and enthusiasts with a window into the Baroque era.

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      Francesco Antonio Bonporti

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