beethoven: 12 variations on "ein mädchen oder weibchen" for cello and piano, op. 66; sonatas for cello and piano, op. 5; 7 variations on "bei männern, welche liebe fühlen", for cello and piano, woo 46 - ludwig van beethoven
Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66; Sonatas For Cello And Piano, Op. 5; 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Theme. AllegrettoLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 1Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 2Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 3Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 4Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 5Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 6Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 7Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 8Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 9Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 10. AdagioLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 11. Poco adagio, quasi andanteLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 12. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ia. Adagio sostenuto –Ludwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ib. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ic. Adagio – PrestoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: II. Rondo. Allegro vivaceLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto prestoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Theme. AndanteLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 1Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 2Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 3Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 4Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 5. Si prenda il tempo un poco più vivaceLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 6. AdagioLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 7. Allegro, ma non troppo – CodaLudwig van Beethoven, Mischa Maisky, Martha Argerich
Immerse yourself in the timeless elegance of Ludwig van Beethoven's masterful compositions with this exquisite album, released on January 1, 1991, by Deutsche Grammophon. This collection is a testament to Beethoven's genius, showcasing his unparalleled ability to blend classical piano and chamber music into a harmonious symphony of sound.
The album opens with the enchanting "12 Variations on 'Ein Mädchen oder Weibchen' for Cello and Piano, Op. 66," a piece that demonstrates Beethoven's intricate and playful approach to variation. Each of the twelve variations offers a unique perspective on the theme, revealing the depth and versatility of Beethoven's compositional style.
Following this, the album presents the "Sonatas for Cello and Piano, Op. 5," featuring two sonatas that are cornerstones of the classical repertoire. The first sonata in F Major, Op. 5 No. 1, begins with a serene Adagio sostenuto, transitioning into a lively Allegro and culminating in a spirited Rondo. The second sonata in G Minor, Op. 5 No. 2, opens with a profound Adagio sostenuto ed espressivo, followed by a dynamic Allegro molto più tosto presto and a captivating Rondo.
The album concludes with the "7 Variations on 'Bei Männern, welche Liebe fühlen' for Cello and Piano, WoO 46," a delightful set of variations that showcases Beethoven's ability to transform a simple theme into a rich tapestry of musical expression.
With a duration of one hour and five minutes, this album is a comprehensive exploration of Beethoven's early chamber music, offering a glimpse into the mind of one of the most influential composers in history. Whether you are a seasoned classical enthusiast or a newcomer to the genre, this album is a must-listen, providing an unforgettable journey through the world of Ludwig van Beethoven.
Vinylscout
