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      1. Albums
      2. bartók: the miraculous mandarin, concerto for orchestra, piano concertos, violin concerto no. 2, concerto for two pianos, percussion and orchestra - béla bartók

      Bartók: The Miraculous Mandarin, Concerto for Orchestra, Piano Concertos, Violin Concerto No. 2, Concerto for two Pianos, Percussion and Orchestra

      Béla BartókBéla Bartók
      • 2008
      • 37 tracks
      • 4 uur, 29 min
      • classical
      Bartók: The Miraculous Mandarin, Concerto for Orchestra, Piano Concertos, Violin Concerto No. 2, Concerto for two Pianos, Percussion and Orchestra - Béla Bartók
      Bartók: The Miraculous Mandarin, Concerto for Orchestra, Piano Concertos, Violin Concerto No. 2, Concerto for two Pianos, Percussion and Orchestra - Béla Bartók

      Album Details

      Immerse yourself in the captivating world of Béla Bartók's orchestral masterpieces with this comprehensive collection released by Warner Classics in 2008. Spanning over four hours of enchanting music, this album is a testament to Bartók's genius and his significant contributions to the classical and neoclassical genres.

      The album opens with "The Miraculous Mandarin," Bartók's final stage work, a pantomime that delves into themes of brutality, robbery, and murder, showcasing the composer's ability to convey complex narratives through music. The collection also features the renowned "Concerto for Orchestra," a piece that highlights Bartók's innovative approach to orchestration and his deep understanding of musical structure.

      Piano enthusiasts will delight in the inclusion of all three of Bartók's piano concertos, each offering a unique blend of technical brilliance and emotional depth. The "Violin Concerto No. 2" is another highlight, demonstrating Bartók's mastery of the violin and his ability to create hauntingly beautiful melodies.

      The album also includes the "Concerto for Two Pianos and Percussion," a piece that showcases Bartók's experimental side and his willingness to push the boundaries of traditional orchestral music. The "Sonata for Two Pianos and Percussion" further explores this experimental vein, offering a fascinating glimpse into Bartók's creative process.

      Throughout the album, Bartók's unique compositional style shines through, characterized by its rhythmic complexity, use of folk melodies, and innovative harmonies. Whether you're a seasoned classical music aficionado or a newcomer to the genre, this collection offers a rich and rewarding listening experience that highlights the enduring legacy of one of the 20th century's most influential composers.

      August 4, 2008A Warner Classics release, © 2008 Parlophone Records LimitedA Warner Classics release, ℗ 2008 Parlophone Records Limited

      Tracks

      1. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning - Curtain RisesBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        3:11
      2. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction GameBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        3:44
      3. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction GameBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        3:16
      4. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game - The Mandarin AppearsBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        4:14
      5. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the GirlBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        4:18
      6. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase - The Tramps Leap OutBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        4:26
      7. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VII. Suddenly the Mandarin's Head AppearsBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:25
      8. Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VIII. The Mandarin Falls to the FloorBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        2:11
      9. Bartók: Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivaceBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        10:16
      10. Bartók: Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzandoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:38
      11. Bartók: Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        7:23
      12. Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. AllegrettoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        4:27
      13. Bartók: Concerto for Orchestra, Sz. 116: V. Finale. Pesante - PrestoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        10:00
      14. Bartók: Piano Concerto No. 1, Sz. 83: I. Allegro moderato - AllegroBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        8:59
      15. Bartók: Piano Concerto No. 1, Sz. 83: II. AndanteBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        7:24
      16. Bartók: Piano Concerto No. 1, Sz. 83: III. Allegro moltoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:52
      17. Bartók: Piano Concerto No. 2, Sz. 95: I. AllegroBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        9:24
      18. Bartók: Piano Concerto No. 2, Sz. 95: II. Adagio - Presto - Più adagioBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        12:40
      19. Bartók: Piano Concerto No. 2, Sz. 95: III. Allegro moltoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:12
      20. Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. AllegrettoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        7:03
      21. Bartók: Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religiosoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        10:51
      22. Bartók: Piano Concerto No. 3 in E Major, Sz. 119: III. Allegro vivaceBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        7:03
      23. Bartók: Violin Concerto No. 2 in B Major, Sz. 112: I. Allegro non troppoBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        16:07
      24. Bartók: Violin Concerto No. 2 in B Major, Sz. 112: II. Andante tranquilloBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        9:48
      25. Bartók: Violin Concerto No. 2 in B Major, Sz. 112: III. Allegro moltoBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        12:04
      26. Bartók: Rhapsody for Violin and Orchestra No. 1, Sz. 87: I. Lassú. ModeratoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
        4:50
      27. Bartók: Rhapsody for Violin and Orchestra No. 1, Sz. 87: II. Friss. Allegretto moderatoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
        5:15
      28. Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: I. Lassú. ModeratoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
        4:57
      29. Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: II. Friss. Allegro moderatoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
        6:03
      30. Bartók: Concerto for Two Pianos and Percussion, Sz. 115: I. Assai lento - Allegro moltoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        12:58
      31. Bartók: Concerto for Two Pianos and Percussion, Sz. 115: II. Lento ma non troppoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:46
      32. Bartók: Concerto for Two Pianos and Percussion, Sz. 115: III. Allegro ma non troppoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        6:19
      33. Bartók: Sonata for Two Pianos and Percussion, Sz. 110: I. Assai lento - Allegro moltoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
        13:09
      34. Bartók: Sonata for Two Pianos and Percussion, Sz. 110: II. Lento ma non troppoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
        6:43
      35. Bartók: Sonata for Two Pianos and Percussion, Sz. 110: III. Allegro non troppoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
        6:08
      36. Bartók: Bluebeard's Castle, Op. 11, Sz. 48: "The Lake of Tears"Béla Bartók, Sir Simon Rattle, Anne Sofie von Otter, Willard White, City Of Birmingham Symphony Orchestra
        6:32
      37. Bartók: Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro (Excerpt)Béla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
        4:51
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      About Béla Bartók

      Béla Bartók, born in 1881 in Nagyszentmiklós, Hungary, was a towering figure in 20th-century music, renowned as a composer, pianist, and ethnomusicologist. His deep connection to Hungarian and Central European folk music infused his compositions with a unique and captivating flavor, making him one of Hungary's greatest composers alongside Franz Liszt. Bartók's prodigious talent was evident from a young age; by four, he could play forty tunes on the piano, and by five, he began formal piano lessons with his mother. His musical journey took him from his early studies in Pozsony to becoming a distinguished teacher at the Zeneakadémia. Bartók's extensive work in collecting and studying folk music from across Central Europe enriched his compositions, which span orchestral works, string quartets, piano solos, and vocal settings of folk songs. His legacy endures as one of the most significant contributors to classical and neoclassical music, celebrated for his innovative approach and deep cultural roots. Bartók passed away in New York in 1945, leaving behind a rich musical heritage that continues to inspire and enchant audiences worldwide.

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