Barrios Mangoré: Guitar Music, Vol. 4

Dive into the enchanting world of classical guitar with "Barrios Mangoré: Guitar Music, Vol. 4," a captivating collection of works by the esteemed Paraguayan composer and virtuoso, Agustín Barrios Mangoré. Released on June 8, 2018, under the prestigious Naxos label, this album is a testament to Barrios Mangoré's unique blend of South American and European musical traditions.

Spanning a duration of 1 hour and 17 minutes, this penultimate volume in the series showcases a diverse array of pieces, from the scintillating "Estudio No. 6" to the serene "Canción de cuna." The album features a rich tapestry of compositions, including preludes, mazurkas, tangos, and danzas, each demonstrating Barrios Mangoré's exceptional technical prowess and expressive depth.

Performed by the talented Celil Refik Kaya, this album offers a comprehensive exploration of Barrios Mangoré's oeuvre, highlighting his innovative use of guitar techniques and his ability to evoke a wide range of emotions through his music. Whether you're a seasoned classical guitar enthusiast or a newcomer to the genre, this album promises to captivate and inspire with its beautiful melodies and intricate compositions.

From the passionate "Mazurka apasionada" to the hauntingly beautiful "Dinora," each track on this album is a masterclass in guitar performance, showcasing the instrument's versatility and the composer's genius. So, sit back, relax, and let the enchanting sounds of Agustín Barrios Mangoré transport you to a world of musical wonder.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

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