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      1. Albums
      2. barrios mangore: guitar music, vol. 2 - agustín barrios mangoré

      Barrios Mangore: Guitar Music, Vol. 2

      Agustín Barrios MangoréAgustín Barrios Mangoré
      • 2003
      • 18 tracks
      • 1 uur, 5 min
      Barrios Mangore: Guitar Music, Vol. 2 - Agustín Barrios Mangoré
      Barrios Mangore: Guitar Music, Vol. 2 - Agustín Barrios Mangoré

      Album Details

      Immerse yourself in the enchanting world of classical guitar with Agustín Barrios Mangoré's "Barrios Mangoré: Guitar Music, Vol. 2". Released on September 24, 2003, under the esteemed Naxos label, this album is a testament to the Paraguayan virtuoso's extraordinary talent and musical depth. Spanning a duration of 1 hour and 5 minutes, this collection is a journey through a diverse range of compositions, each showcasing Barrios Mangoré's unique blend of technical brilliance and emotional resonance.

      The album opens with the evocative "Invocacion a Mi Madre," a piece that sets the tone for the spiritual and introspective journey that follows. The three-part "La Catedral" is a highlight, with its solemn prelude, religious andante, and grand allegro, offering a profound exploration of sacred themes. Other notable tracks include the haunting "Confesion," the lyrical "Cancion de la Hilandera," and the tender "Madrecita," each demonstrating Barrios Mangoré's ability to convey deep emotion through his music.

      The album also features a series of elegant minuets in different keys, showcasing the composer's versatility and mastery of form. The "Divagacion en imitacion al violin" and "Variations on a Theme of Tarrega" further highlight his innovative approach to the guitar, blending traditional techniques with his own unique style.

      Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Barrios Mangoré: Guitar Music, Vol. 2" offers a rich and rewarding listening experience. The album is a celebration of Barrios Mangoré's enduring legacy, capturing the essence of his artistry and inviting you to explore the timeless beauty of his guitar music.

      September 24, 20032003 Naxos2003 Naxos

      Tracks

      1. Invocacion a Mi MadreAgustín Barrios Mangoré, Enno Voorhorst
        4:30
      2. La catedral: Preludio (Saudade)Agustín Barrios Mangoré, Enno Voorhorst
        2:16
      3. La catedral: Andante religiosoAgustín Barrios Mangoré, Enno Voorhorst
        1:56
      4. La catedral: Allegro solemneAgustín Barrios Mangoré, Enno Voorhorst
        3:05
      5. ConfesionAgustín Barrios Mangoré, Enno Voorhorst
        4:33
      6. Cancion de la HilanderaAgustín Barrios Mangoré, Enno Voorhorst
        2:54
      7. Oracion (Plegaria)Agustín Barrios Mangoré, Enno Voorhorst
        3:50
      8. MadrecitaAgustín Barrios Mangoré, Enno Voorhorst
        2:05
      9. La SamaritanaAgustín Barrios Mangoré, Enno Voorhorst
        5:00
      10. El sueno de la munequita: El Sueno de la MunequitaAgustín Barrios Mangoré, Enno Voorhorst
        2:41
      11. ContemplacionAgustín Barrios Mangoré, Enno Voorhorst
        4:30
      12. Oracion Para TodosAgustín Barrios Mangoré, Enno Voorhorst
        3:01
      13. Minuet in B Major: Minuet, B MajorAgustín Barrios Mangoré, Enno Voorhorst
        3:19
      14. Minuet in E Major: Minuet, E MajorAgustín Barrios Mangoré, Enno Voorhorst
        2:56
      15. Minuet in A Major: Minuet, A MajorAgustín Barrios Mangoré, Enno Voorhorst
        2:02
      16. Minuet in C Major: Minuet, C MajorAgustín Barrios Mangoré, Enno Voorhorst
        1:24
      17. Divagacion en imitacion al violinAgustín Barrios Mangoré, Enno Voorhorst
        3:27
      18. Variations on a Theme of TarregaAgustín Barrios Mangoré, Enno Voorhorst
        12:21
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      About Agustín Barrios Mangoré

      Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

      Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

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      Agustín Barrios Mangoré

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