Barrios-Mangore: Confesión

Immerse yourself in the enchanting world of classical guitar with "Barrios-Mangore: Confesión," a captivating collection of works by the legendary Paraguayan composer and guitarist, Agustín Barrios Mangoré. Released in 2002 by Deutsche Grammophon, this album showcases the exquisite artistry of Alexander-Sergei Ramírez, who brings Barrios Mangoré's compositions to life with remarkable skill and sensitivity.

Spanning 19 tracks and over an hour and fifteen minutes, "Confesión" offers a rich tapestry of musical styles and influences, reflecting Barrios Mangoré's unique blend of classical, folk, and Latin American traditions. From the hauntingly beautiful "La Catedral" to the lively rhythms of "Cueca (Danza Chilena)" and the festive spirit of "Villancico de Navidad," each piece is a testament to Barrios Mangoré's enduring genius and Ramírez's virtuoso performance.

The album features a diverse range of compositions, including waltzes, preludes, choros, and traditional dances from various regions of Latin America. Highlights include the introspective "Confesión (Confissao de Amor)," the evocative "Leyenda de España," and the playful "Vals de Primavera." Whether you're a seasoned classical music enthusiast or a curious newcomer, "Barrios-Mangore: Confesión" promises an unforgettable journey through the captivating sounds of Latin American guitar music.

Experience the timeless elegance and passion of Agustín Barrios Mangoré's music, expertly interpreted by Alexander-Sergei Ramírez, on this stunning Deutsche Grammophon release.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

Barrios-Mangore: Confesión

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