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      1. Albums
      2. barber: vanessa, op. 32 - samuel barber

      Barber: Vanessa, Op. 32

      Samuel BarberSamuel Barber
      • 2018
      • 28 tracks
      • 2 uur, 6 min
      • classical
      Barber: Vanessa, Op. 32 - Samuel Barber
      Barber: Vanessa, Op. 32 - Samuel Barber

      Album Details

      Immerse yourself in the captivating world of Samuel Barber's "Vanessa, Op. 32," a timeless masterpiece in the realm of classical music. Released on August 31, 2018, by Orfeo, this album is a live recording that beautifully captures the essence of Barber's operatic genius. Spanning a duration of 2 hours and 6 minutes, the album is a comprehensive journey through the four acts of "Vanessa," showcasing Barber's intricate compositions and the powerful storytelling that defines his work.

      The tracklist is a testament to Barber's ability to weave complex emotions and narratives into his music. Each track, from the haunting "Must the Winter Come So Soon?" to the poignant "To Leave, to Break, to Find...," draws you deeper into the dramatic unfolding of Vanessa's story. The live performance adds an extra layer of intensity, making each note and phrase resonate with raw emotion and authenticity.

      Samuel Barber, a renowned figure in the classical music world, is celebrated for his ability to blend lyrical melodies with rich harmonic textures. "Vanessa, Op. 32" is no exception, offering a profound exploration of love, longing, and redemption. The album concludes with "Gespräch mit Samuel Barber," providing a unique insight into the mind of the composer himself.

      Whether you're a seasoned classical music enthusiast or a newcomer to Barber's work, this album is a must-experience. It's a powerful reminder of the enduring appeal of classical music and the timeless artistry of Samuel Barber.

      August 31, 20182018 Orfeo2018 Orfeo

      Tracks

      1. Vanessa, Op. 32: Introduction (Live)Samuel Barber, Rosalind Elias, Eleanor Steber, Alois Pernerstorfer, Wiener Philharmoniker, Dimitri Mitropoulos
        8:55
      2. Vanessa, Op. 32, Act I: Must the Winter Come So Soon? (Live)Samuel Barber, Rosalind Elias, Eleanor Steber, Wiener Philharmoniker, Dimitri Mitropoulos
        4:00
      3. Vanessa, Op. 32, Act I: Do Not Utter a Word, Anatol (Live)Samuel Barber, Eleanor Steber, Nicolai Gedda, Wiener Philharmoniker, Dimitri Mitropoulos
        6:22
      4. Vanessa, Op. 32, Act I: Who Are You? Why Did You Come Here? (Live)Samuel Barber, Rosalind Elias, Nicolai Gedda, Wiener Philharmoniker, Dimitri Mitropoulos
        6:51
      5. Vanessa, Op. 32, Act II: ...And Then? - He Made Me Drink Too Much Wine (Live)Samuel Barber, Ira Malaniuk, Rosalind Elias, Wiener Philharmoniker, Dimitri Mitropoulos
        4:37
      6. Vanessa, Op. 32, Act II: No, You Are Not as Good a Skater (Live)Samuel Barber, Eleanor Steber, Nicolai Gedda, Rosalind Elias, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        5:34
      7. Vanessa, Op. 32, Act II: Erika, I Feel So Happy (Live)Samuel Barber, Eleanor Steber, Rosalind Elias, Wiener Philharmoniker, Dimitri Mitropoulos
        1:12
      8. Vanessa, Op. 32, Act II: Our Arms Entwined My Hands (Live)Samuel Barber, Eleanor Steber, Rosalind Elias, Wiener Philharmoniker, Dimitri Mitropoulos
        3:52
      9. Vanessa, Op. 32, Act II: Did You Hear Her? (Live)Samuel Barber, Rosalind Elias, Ira Malaniuk, Nicolai Gedda, Wiener Philharmoniker, Dimitri Mitropoulos
        1:52
      10. Vanessa, Op. 32, Act II: Anatol, I Must Speak to You (Live)Samuel Barber, Rosalind Elias, Nicolai Gedda, Ira Malaniuk, Wiener Philharmoniker, Dimitri Mitropoulos
        4:51
      11. Vanessa, Op. 32, Act II: Ah, What a Meager Offer Yours Is! (Live)Samuel Barber, Rosalind Elias, Nicolai Gedda, Eleanor Steber, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        2:41
      12. Vanessa, Op. 32, Act II: In Morning Light (Live)Samuel Barber, Rosalind Elias, Vienna State Opera Chorus, Wiener Philharmoniker, Dimitri Mitropoulos
        4:41
      13. Vanessa, Op. 32, Act III: Introduction (Live)Samuel Barber, Wiener Philharmoniker, Dimitri Mitropoulos
        1:48
      14. Vanessa, Op. 32, Act III: The Count and the Countess of Albany (Live)Samuel Barber, Norman Foster, Alois Pernerstorfer, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        4:45
      15. Vanessa, Op. 32, Act III: Here You Are? (Live)Samuel Barber, Eleanor Steber, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        1:21
      16. Vanessa, Op. 32, Act III: At Last I've Found You (Live)Samuel Barber, Nicolai Gedda, Eleanor Steber, Wiener Philharmoniker, Dimitri Mitropoulos
        6:25
      17. Vanessa, Op. 32, Act III: Nothing to Worry About (Live)Samuel Barber, Giorgio Tozzi, Eleanor Steber, Rosalind Elias, Alois Pernerstorfer, Nicolai Gedda, Ira Malaniuk, Vienna State Opera Chorus, Wiener Philharmoniker, Dimitri Mitropoulos
        7:12
      18. Vanessa, Op. 32, Act IV: Why Did No One Warn Me? (Live)Samuel Barber, Eleanor Steber, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        4:30
      19. Vanessa, Op. 32, Act IV: Why Must the Greatest Sorrows Come from Those (Live)Samuel Barber, Eleanor Steber, Wiener Philharmoniker, Dimitri Mitropoulos
        1:52
      20. Vanessa, Op. 32, Act IV: There, Look a Group of Men! - Do You Suppose (Live)Samuel Barber, Giorgio Tozzi, Eleanor Steber, Nicolai Gedda, Wiener Philharmoniker, Dimitri Mitropoulos
        7:48
      21. Vanessa, Op. 32, Act IV: Grandmother! - Yes, Erica (Live)Samuel Barber, Rosalind Elias, Ira Malaniuk, Wiener Philharmoniker, Dimitri Mitropoulos
        2:51
      22. Vanessa, Op. 32, Act IV: Intermezzo (Live)Samuel Barber, Wiener Philharmoniker, Dimitri Mitropoulos
        3:43
      23. Vanessa, Op. 32, Act IV: By the Time We Arrive in Paris (Live)Samuel Barber, Nicolai Gedda, Giorgio Tozzi, Eleanor Steber, Wiener Philharmoniker, Dimitri Mitropoulos
        4:07
      24. Vanessa, Op. 32, Act IV: Erica, Sit Down Here Next to Me (Live)Samuel Barber, Eleanor Steber, Rosalind Elias, Wiener Philharmoniker, Dimitri Mitropoulos
        3:24
      25. Vanessa, Op. 32, Act IV: You Must Hurry If We Want to Reach the Station (Live)Samuel Barber, Nicolai Gedda, Eleanor Steber, Rosalind Elias, Wiener Philharmoniker, Dimitri Mitropoulos
        2:14
      26. Vanessa, Op. 32, Act IV: To Leave, to Break, to Find... (Live)Samuel Barber, Eleanor Steber, Nicolai Gedda, Rosalind Elias, Ira Malaniuk, Giorgio Tozzi, Wiener Philharmoniker, Dimitri Mitropoulos
        5:19
      27. Vanessa, Op. 32, Act IV: Anatol! - No, I Must Never Say That Name Again (Live)Samuel Barber, Rosalind Elias, Alois Pernerstorfer, Wiener Philharmoniker, Dimitri Mitropoulos
        5:15
      28. Gespräch mit Samuel BarberSamuel Barber
        7:52
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      About Samuel Barber

      Samuel Barber, born in West Chester, Pennsylvania, in 1910, stands as one of the most celebrated American composers of the mid-20th century. His music, deeply rooted in the romantic and lyrical traditions of the 19th century, is known for its emotional depth and expressive power. Barber's compositions often embrace traditional harmonic language and formal structures, making him a beacon of romanticism in an era dominated by musical modernism. His works, such as the iconic "Adagio for Strings" and "Overture to 'The School for Scandal'," showcase his mastery of melody and his ability to evoke profound emotions. Barber's versatility is evident in his compositions for various forces, but his song-writing is where his romantic and passionate spirit shines brightest. Despite his adherence to classical forms, Barber did not shy away from incorporating elements of modernism in his later works, adding layers of complexity and innovation to his repertoire. His legacy endures, making him a pivotal figure in 20th-century classical music.

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      Samuel Barber

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