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      1. Albums
      2. barber: adagio; symphony no.1 etc. - samuel barber

      Barber: Adagio; Symphony No.1 etc.

      Samuel BarberSamuel Barber
      • 1992
      • 9 tracks
      • 1 uur, 4 min
      • classical
      Barber: Adagio; Symphony No.1 etc. - Samuel Barber
      Barber: Adagio; Symphony No.1 etc. - Samuel Barber

      Album Details

      Immerse yourself in the timeless elegance of Samuel Barber's "Barber: Adagio; Symphony No.1 etc.", a 1992 masterpiece recorded by the Baltimore Symphony Orchestra under the skilled direction of David Zinman. This classical gem, released under Decca Music Group Ltd., spans a concise yet impactful 1 hour and 4 minutes, offering a rich tapestry of Barber's most celebrated compositions.

      The album opens with the hauntingly beautiful "Adagio for Strings," a piece that has captivated audiences worldwide with its profound emotional depth. Following this iconic work, the collection delves into Barber's "Overture 'The School for Scandal'," showcasing his ability to blend drama and sophistication. The "First Essay for Orchestra" and "Music for a Scene from Shelley" further highlight Barber's versatility and innovation.

      A significant portion of the album is dedicated to Barber's "First Symphony (In One Movement)," a monumental work divided into four distinct movements: "Allegro, ma non troppo," "Allegro molto," "Andante tranquilo," and "Con moto." This symphony exemplifies Barber's mastery of orchestral composition, offering a journey through a spectrum of emotions and musical textures.

      Recorded in the acoustically renowned Joseph Meyerhoff Symphony Hall in Baltimore, this album benefits from the superior sound quality achieved with Neumann microphones. Whether you're a seasoned classical enthusiast or a newcomer to Barber's work, this album provides a compelling introduction to the composer's genius. Experience the timeless beauty of Samuel Barber's music, captured in this exceptional 1992 recording.

      1 januari 1992© 1992 Decca Music Group Limited℗ 1992 Decca Music Group Limited

      Tracks

      1. Adagio for StringsSamuel Barber, Baltimore Symphony Orchestra, David Zinman
        8:43
      2. Overture "The School for Scandal", Op. 5Samuel Barber, Baltimore Symphony Orchestra, David Zinman
        8:22
      3. First Essay for Orchestra, Op. 12Samuel Barber, Baltimore Symphony Orchestra, David Zinman
        8:10
      4. Music for a scene from Shelley, Op. 7Samuel Barber, Baltimore Symphony Orchestra, David Zinman
        9:00
      5. Second Essay for Orchestra, Op. 17Samuel Barber, Baltimore Symphony Orchestra, David Zinman
        10:33
      6. First Symphony (In One Movement), Op. 9: Allegro, ma non troppoSamuel Barber, Baltimore Symphony Orchestra, David Zinman
        6:54
      7. First Symphony (In One Movement), Op. 9: Allegro moltoSamuel Barber, Baltimore Symphony Orchestra, David Zinman
        4:11
      8. First Symphony (In One Movement), Op. 9: Andante tranquiloSamuel Barber, Baltimore Symphony Orchestra, David Zinman
        4:28
      9. First Symphony (In One Movement), Op. 9: Con motoSamuel Barber, Baltimore Symphony Orchestra, David Zinman
        3:55
      PLAY ON SPOTIFY

      About Samuel Barber

      Samuel Barber, born in West Chester, Pennsylvania, in 1910, stands as one of the most celebrated American composers of the mid-20th century. His music, deeply rooted in the romantic and lyrical traditions of the 19th century, is known for its emotional depth and expressive power. Barber's compositions often embrace traditional harmonic language and formal structures, making him a beacon of romanticism in an era dominated by musical modernism. His works, such as the iconic "Adagio for Strings" and "Overture to 'The School for Scandal'," showcase his mastery of melody and his ability to evoke profound emotions. Barber's versatility is evident in his compositions for various forces, but his song-writing is where his romantic and passionate spirit shines brightest. Despite his adherence to classical forms, Barber did not shy away from incorporating elements of modernism in his later works, adding layers of complexity and innovation to his repertoire. His legacy endures, making him a pivotal figure in 20th-century classical music.

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      Samuel Barber

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