Bach: New Year's Day Cantatas - Johann Sebastian Bach - Vinyl LP

Bach: New Year's Day Cantatas - Johann Sebastian Bach

Album Details

Immerse yourself in the timeless beauty of Johann Sebastian Bach's sacred music with the album "Bach: New Year's Day Cantatas." Released on April 17, 2009, this exquisite collection brings together four of Bach's most enchanting cantatas, each composed for the celebration of New Year's Day. The album features performances that showcase the intricate artistry and profound spirituality of Bach's compositions, performed with precision and passion.

The cantatas included are BWV 171, BWV 41, BWV 28, and BWV 16, each offering a unique blend of chorales, arias, and recitatives that highlight Bach's mastery of vocal and instrumental composition. The album spans a total duration of 1 hour and 9 minutes, providing a rich and immersive listening experience.

Recorded by Challenge Classics, this album is a testament to Bach's enduring legacy and his ability to evoke deep emotional and spiritual resonance through his music. Whether you are a devoted fan of classical music or a newcomer to the genre, "Bach: New Year's Day Cantatas" offers a captivating journey through some of the most celebrated works of the Baroque era.

April 17, 2009(C) 2009 Challenge Classics

Tracks

"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: I. "Gott, wie dein Name, so ist auch dein Ruhm" (Chorus)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:48
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: II. "Herr, so weit die Wolken gehen, gehet deines Namens Ruhm" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
3:59
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: III. "Du süsser Jesus Name du" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:01
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: IV. "Jesus soll mein erstes Wort in dem neuen Jahre heissen" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
4:20
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: V. "Und da du, Herr, gesagt" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:46
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: VI. "Lass uns das Jahr vollbringen zu Lob dem Namen dein" (Chorale)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:44
"Jesu, nun sei gepreiset", BWV 41: I. "Jesu, nun sei gepreiset" (Chorus)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
7:41
"Jesu, nun sei gepreiset", BWV 41: II. "Laß uns, o höchster Gott" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
5:27
"Jesu, nun sei gepreiset", BWV 41: "Ach! define Hand, dein Segen muß allein" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:03
"Jesu, nun sei gepreiset", BWV 41: "Woferne du den edlen Frieden" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
8:17
"Jesu, nun sei gepreiset", BWV 41: "Doch weil der Feind Bei Tag und Nacht" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
0:52
"Jesu, nun sei gepreiset", BWV 41: "Den ist allein die Ehre" (Chorale)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:50
"Gottlob, nun geht das Jahr zu Ende" BWV 28: I. "Gottlob, nun geht das Jahr zu Ende" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
3:46
"Gottlob, nun geht das Jahr zu Ende" BWV 28: II. "Nun lob, mein Seel, den Herren" (Chorus)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
3:43
"Gottlob, nun geht das Jahr zu Ende" BWV 28: III. "So spricht der Herr" (recitative - Arioso)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:50
"Gottlob, nun geht das Jahr zu Ende" BWV 28: IV. "Gott ist ein Quell, wo Lauter Güte fleußt" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:11
"Gottlob, nun geht das Jahr zu Ende" BWV 28: V. "Gott hat uns im heurigan Jahr gesegnet" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
2:02
"Gottlob, nun geht das Jahr zu Ende" BWV 28: VI. "All solch dein Güt wir preisen" (Chorale)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
0:53
"Herr Gott, dich loben wir" BWV 16: I. "Herr Gott, dich loben wir" (Chorale)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:33
"Herr Gott, dich loben wir" BWV 16: II. "So Stimmen wir bei dieser frohe Zeit" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:14
"Herr Gott, dich loben wir" BWV 16: III. "Lasst uns jauchzen" (Aria)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
3:24
"Herr Gott, dich loben wir" BWV 16: IV. "Ach treuer Hort, Beschütz auch ferner hin" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
1:19
"Herr Gott, dich loben wir" BWV 16: V. "Geliebter Jesu, du allein" (Recitative)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
7:57
"Herr Gott, dich loben wir" BWV 16: VI. "All solch dein Güt dein preisen" (Chorale)Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman
0:53

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About Johann Sebastian Bach

Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.