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      1. Albums
      2. bach: cantatas nos. 82, 202 "wedding" & 208 "hunt" - johann sebastian bach

      Bach: Cantatas Nos. 82, 202 "Wedding" & 208 "Hunt"

      Johann Sebastian BachJohann Sebastian Bach
      • 2000
      • 31 tracks
      • 1 uur, 27 min
      • classical
      Bach: Cantatas Nos. 82, 202 "Wedding" & 208 "Hunt" - Johann Sebastian Bach
      Bach: Cantatas Nos. 82, 202 "Wedding" & 208 "Hunt" - Johann Sebastian Bach

      Album Details

      Immerse yourself in the timeless brilliance of Johann Sebastian Bach with this captivating collection of cantatas, released on Hyperion in 2000. Spanning a little over an hour and a half, this album showcases Bach's unparalleled mastery of classical composition, featuring three distinct cantatas that offer a rich tapestry of musical expression.

      The album opens with "Ich habe genug," BWV 82, a deeply introspective and contemplative work that explores themes of contentment and acceptance. This is followed by the joyous and celebratory "Wedding Cantata," BWV 202, a piece brimming with warmth and festivity, perfect for marking life's most joyous occasions.

      Concluding the collection is the lively and spirited "Hunting Cantata," BWV 208, a vibrant display of Bach's ability to capture the essence of nature and the thrill of the hunt. This cantata is particularly notable for its dynamic interplay between various characters and its lively, rhythmic energy.

      Each cantata is a testament to Bach's enduring genius, offering a unique blend of recitatives, arias, and choruses that highlight the depth and versatility of his musical vision. Whether you're a seasoned classical enthusiast or a newcomer to Bach's work, this album is a must-listen, providing a comprehensive and engaging exploration of some of the composer's most beloved cantatas.

      November 1, 2000© 2000 Hyperion Records LimitedThis Compilation ℗ 2000 Hyperion Records Limited

      Tracks

      1. Ich habe genug, BWV 82: I. Aria. Ich habe genug, ich habe den HeilandJohann Sebastian Bach, Andrew Parrott, David Thomas, Taverner Players
        7:51
      2. Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur alleinJohann Sebastian Bach, Andrew Parrott, David Thomas, Taverner Players
        1:11
      3. Ich habe genug, BWV 82: III. Aria. Schlummert ein, ihr matten AugenJohann Sebastian Bach, Andrew Parrott, David Thomas, Taverner Players
        10:54
      4. Ich habe genug, BWV 82: IV. Recit. Mein Gott! wenn kommt das schöne: Nun!Johann Sebastian Bach, Taverner Players, Andrew Parrott, David Thomas
        0:45
      5. Ich habe genug, BWV 82: V. Aria. Ich freue mich auf meinen TodJohann Sebastian Bach, Andrew Parrott, David Thomas, Taverner Players
        3:39
      6. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": I. Aria. Weichet nur, betrübte SchattenJohann Sebastian Bach, Taverner Players, Emma Kirkby, Andrew Parrott
        6:04
      7. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": II. Recit. Die Welt wird wieder neuJohann Sebastian Bach, Andrew Parrott, Emma Kirkby, Taverner Players
        0:25
      8. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": III. Aria. Phoebus eilt mit schnellen PferdenJohann Sebastian Bach, Andrew Parrott, Emma Kirkby, Taverner Players
        2:55
      9. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": IV. Recit. Drum sucht auch Amor sein VergnügenJohann Sebastian Bach, Andrew Parrott, Emma Kirkby, Taverner Players
        0:39
      10. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": V. Aria. Wenn die Frühlingslüfte streichenJohann Sebastian Bach, Emma Kirkby, Taverner Players, Andrew Parrott
        2:34
      11. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": VI. Recit. Und dieses ist das GlückeJohann Sebastian Bach, Emma Kirkby, Taverner Players, Andrew Parrott
        0:39
      12. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": VII. Aria. Sich üben im LiebenJohann Sebastian Bach, Taverner Players, Andrew Parrott, Emma Kirkby
        4:14
      13. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": VIII. Recit. So sei das Band der keuschen LiebeJohann Sebastian Bach, Andrew Parrott, Taverner Players, Emma Kirkby
        0:20
      14. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": IX. Gavotte. Sehet in ZufriedenheitJohann Sebastian Bach, Andrew Parrott, Emma Kirkby, Taverner Players
        1:31
      15. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": [Opening] Sinfonia in F Major, BWV 1046a. AllegroJohann Sebastian Bach, The Parley of Instruments, Roy Goodman
        4:00
      16. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": I. Was mir behagt (Diana)Johann Sebastian Bach, Jennifer Smith, Roy Goodman, The Parley of Instruments
        0:35
      17. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": II. Aria. Jagen ist die Lust der Götter (Diana)Johann Sebastian Bach, The Parley of Instruments, Jennifer Smith, Roy Goodman
        2:14
      18. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": III. Wie, schönste Göttin? wie? (Endymion)Johann Sebastian Bach, The Parley of Instruments, Simon Davies, Roy Goodman
        1:02
      19. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": IV. Aria. Willst du dich nicht mehr ergötzen (Endymion)Johann Sebastian Bach, The Parley of Instruments, Roy Goodman, Simon Davies
        5:20
      20. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": V. Ich liebe dich zwar noch! (Diana/Endymion)Johann Sebastian Bach, Simon Davies, Jennifer Smith, Roy Goodman, The Parley of Instruments
        2:10
      21. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": VI. Recit. Ich, der sonst ein Gott (Pan)Johann Sebastian Bach, Michael George, The Parley of Instruments, Roy Goodman
        0:29
      22. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": VII. Aria. Ein Fürst ist seines Landes Pan! (Pan)Johann Sebastian Bach, Michael George, Roy Goodman, The Parley of Instruments
        3:00
      23. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": VIII. Recit. Soll denn der Pales Opfer? (Pales)Johann Sebastian Bach, Emma Kirkby, The Parley of Instruments, Roy Goodman
        0:34
      24. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": IX. Aria. Schafe können sicher weiden (Pales)Johann Sebastian Bach, Emma Kirkby, The Parley of Instruments, Roy Goodman
        3:49
      25. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": X. Recit. So stimmt mit ein (Diana)Johann Sebastian Bach, The Parley of Instruments, Roy Goodman, Jennifer Smith
        0:11
      26. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": XI. Chorus. Lebe, Sonne dieser ErdenJohann Sebastian Bach, The Parley of Instruments, Simon Davies, Roy Goodman, Michael George, Jennifer Smith, Emma Kirkby
        2:44
      27. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": XII. Duet. Entzücket uns beide (Diana/Endymion)Johann Sebastian Bach, The Parley of Instruments, Roy Goodman, Jennifer Smith, Simon Davies
        2:12
      28. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": XIII. Aria. Weil die wollenreichen Herden (Pales)Johann Sebastian Bach, Emma Kirkby, The Parley of Instruments, Roy Goodman
        2:45
      29. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": XIV. Aria. Ihr Felder und Auen (Pan)Johann Sebastian Bach, Roy Goodman, The Parley of Instruments, Michael George
        2:49
      30. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": XV Chorus. Ihr lieblichste Blicke! Ihr freudige StundenJohann Sebastian Bach, Jennifer Smith, Emma Kirkby, The Parley of Instruments, Michael George, Roy Goodman, Simon Davies
        3:27
      31. Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": [Closing] Sinfonia in F Major, BWV1046a. MenuettoJohann Sebastian Bach, Roy Goodman, The Parley of Instruments
        6:02
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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