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      1. Albums
      2. bach: cantatas ii - johann sebastian bach

      Bach: Cantatas II

      Johann Sebastian BachJohann Sebastian Bach
      • 1999
      • 24 tracks
      • 1 uur, 17 min
      • classical
      Bach: Cantatas II - Johann Sebastian Bach
      Bach: Cantatas II - Johann Sebastian Bach

      Album Details

      Immerse yourself in the profound and timeless compositions of Johann Sebastian Bach with "Bach: Cantatas II." Released in 1999 under the prestigious Deutsche Grammophon label, this album is a masterful collection of Bach's sacred cantatas, showcasing his unparalleled genius in the Baroque era. Spanning a duration of 1 hour and 17 minutes, the album features 24 tracks that encapsulate the essence of Bach's religious and musical devotion.

      The album opens with the poignant cantata "Ich will den Kreuzstab gerne tragen" (BWV 56), performed with a deep, resonant bass voice that carries the weight of spiritual contemplation. Following this, the album delves into the dramatic and introspective "Gottes Zeit ist die allerbeste Zeit" (BWV 106), also known as "Actus tragicus," a work that explores themes of mortality and divine grace. The cantata "Herz und Mund und Tat und Leben" (BWV 147) concludes the album, offering a blend of choral and solo performances that highlight Bach's ability to convey both personal and communal spiritual experiences.

      Each track is a testament to Bach's intricate musical structures and his profound understanding of the human condition. The performances are meticulously crafted, bringing to life the rich harmonies and contrapuntal complexities that define Bach's work. Whether you are a seasoned classical music enthusiast or a newcomer to Bach's oeuvre, this album offers a deep and rewarding listening experience. The combination of solo voices, choral ensembles, and orchestral accompaniments creates a tapestry of sound that is both intellectually stimulating and emotionally resonant.

      1 januari 1999© 1999 Deutsche Grammophon GmbH, BerlinThis Compilation ℗ 1999 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Ich will den Kreuzstab gerne tragen, BWV 56: I. Aria. Ich will den Kreuzstab gerne tragen (Bass)Johann Sebastian Bach, Dietrich Fischer-Dieskau, Lucerne Festival Strings, Rudolf Baumgartner
        8:45
      2. Ich will den Kreuzstab gerne tragen, BWV 56: II. Recit. Mein Wandel auf der Welt (Bass)Johann Sebastian Bach, Dietrich Fischer-Dieskau, Lucerne Festival Strings, Rudolf Baumgartner
        2:17
      3. Ich will den Kreuzstab gerne tragen, BWV 56: III. Aria. Endlich, endlich wird mein Joch (Bass)Johann Sebastian Bach, Dietrich Fischer-Dieskau, Lucerne Festival Strings, Rudolf Baumgartner
        6:52
      4. Ich will den Kreuzstab gerne tragen, BWV 56: IV. Recit. & Arioso. Ich stehe fertig und bereit (Bass)Johann Sebastian Bach, Dietrich Fischer-Dieskau, Lucerne Festival Strings, Rudolf Baumgartner
        1:55
      5. Ich will den Kreuzstab gerne tragen, BWV 56: V. Chorale. Komm, o Tod, du Schlafes BruderJohann Sebastian Bach, Lucerne Festival Strings, Rudolf Baumgartner, Kammerchor ad hoc
        1:40
      6. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. SonatinaJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter
        2:57
      7. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIa. Chorus. Gottes Zeit ist die allerbeste ZeitJohann Sebastian Bach, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
        2:23
      8. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIb. Arioso. Ach Herr, lehre uns bedenken (Tenor)Johann Sebastian Bach, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter
        3:16
      9. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIc. Aria. Bestelle dein Haus (Bass)Johann Sebastian Bach, Theo Adam, Münchener Bach-Orchester, Karl Richter
        1:19
      10. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IId. Chorus and Arioso. Es ist der alte BundJohann Sebastian Bach, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
        3:31
      11. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIa. Aria. In deine Hände befehl ich meinen Geist (Alto)Johann Sebastian Bach, Hertha Töpper, Münchener Bach-Orchester, Karl Richter
        2:10
      12. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIb. Arioso. Heute wirst du mit mir im Paradies sein (Bass)Johann Sebastian Bach, Theo Adam, Münchener Bach-Orchester, Karl Richter
        1:09
      13. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIc. Chorus. Mit Fried und Freud ich fahr dahinJohann Sebastian Bach, Theo Adam, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
        2:45
      14. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IV. Chorus. Glorie, Lob, Ehr und HerrlichkeitJohann Sebastian Bach, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
        2:59
      15. Herz und Mund und Tat und Leben, BWV 147: I. Chorus. Herz und Mund und Tat und LebenJohann Sebastian Bach, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter, Münchener Bach-Chor
        4:15
      16. Herz und Mund und Tat und Leben, BWV 147: II. Recit. Gebenedeiter Mund! (Tenor)Johann Sebastian Bach, John van Kesteren, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        2:08
      17. Herz und Mund und Tat und Leben, BWV 147: III. Aria. Schäme dich, o Seele nicht (Alto)Johann Sebastian Bach, Hertha Töpper, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        4:05
      18. Herz und Mund und Tat und Leben, BWV 147: IV. Recit. Verstockung kann Gewaltige verblenden (Bass)Johann Sebastian Bach, Kieth Engen, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        2:15
      19. Herz und Mund und Tat und Leben, BWV 147: V. Aria. Bereite dir, Jesu (Soprano)Johann Sebastian Bach, Ursula Buckel, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        4:27
      20. Herz und Mund und Tat und Leben, BWV 147: VI. Chorale. Wohl mir, dass ich Jesum habeJohann Sebastian Bach, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter, Münchener Bach-Chor
        3:28
      21. Herz und Mund und Tat und Leben, BWV 147: VII. Aria. Hilf, Jesu, hilf (Tenor)Johann Sebastian Bach, John van Kesteren, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        3:44
      22. Herz und Mund und Tat und Leben, BWV 147: VIII. Recit. Der höchsten Allmacht Wunderhand (Alto)Johann Sebastian Bach, Hertha Töpper, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        2:47
      23. Herz und Mund und Tat und Leben, BWV 147: IX. Aria. Ich will von Jesu Wundern singen (Bass)Johann Sebastian Bach, Kieth Engen, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        2:36
      24. Herz und Mund und Tat und Leben, BWV 147: X. Chorale. Jesus bleibet meine FreudeJohann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter
        3:34
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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