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      1. Albums
      2. bach: cantatas i - johann sebastian bach

      Bach: Cantatas I

      Johann Sebastian BachJohann Sebastian Bach
      • 1999
      • 20 tracks
      • 1 uur, 14 min
      • classical
      Bach: Cantatas I - Johann Sebastian Bach
      Bach: Cantatas I - Johann Sebastian Bach

      Album Details

      Immerse yourself in the timeless genius of Johann Sebastian Bach with "Bach: Cantatas I," a captivating collection of sacred cantatas that showcase the composer's unparalleled mastery of the Baroque era. Released on January 1, 1999, under the prestigious Deutsche Grammophon label, this album is a testament to Bach's enduring influence and the profound beauty of his music.

      Spanning a little over an hour and fourteen minutes, the album features three of Bach's most celebrated cantatas: "Christ lag in Todesbanden" (BWV 4), "Jauchzet Gott in allen Landen" (BWV 51), and "Wachet auf, ruft uns die Stimme" (BWV 140). Each cantata is a intricate tapestry of vocal and instrumental passages, demonstrating Bach's exceptional ability to blend text and music into a cohesive and emotionally resonant whole. The performances are marked by their technical precision, expressive depth, and the luminous clarity that is characteristic of the Baroque style.

      "Christ lag in Todesbanden" is a powerful Easter cantata that reflects on the resurrection of Christ, while "Jauchzet Gott in allen Landen" is a joyous celebration of divine goodness. "Wachet auf, ruft uns die Stimme" is a moving exploration of spiritual awakening and the longing for union with the divine. Throughout these works, Bach's inventive use of melody, harmony, and counterpoint creates a rich and immersive listening experience.

      This album is a must for anyone seeking to explore the depths of Bach's sacred music. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Bach: Cantatas I" offers a profound and rewarding journey into the heart of Baroque composition.

      1 januari 1999© 1999 Deutsche Grammophon GmbH, BerlinThis Compilation ℗ 1999 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Christ lag in Todesbanden, BWV 4: I. SinfoniaJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter
        1:39
      2. Christ lag in Todesbanden, BWV 4: II. Verse 1, Chorus. Christ lag in TodesbandenJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        4:23
      3. Christ lag in Todesbanden, BWV 4: III. Verse 2, Duet. Denn Tod niemand zwingen kunnt (Soprano, Alto)Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        4:00
      4. Christ lag in Todesbanden, BWV 4: IV. Verse 3, Aria. Jesus Christus, Gottes SohnJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        1:56
      5. Christ lag in Todesbanden, BWV 4: V. Verse 4, Chorus. Es war ein wunderlicher KriegJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        2:13
      6. Christ lag in Todesbanden, BWV 4: VI. Verse 5, Aria. Hier ist das rechte OsterlammJohann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        4:35
      7. Christ lag in Todesbanden, BWV 4: VII. Verse 6, Duet. So feiern wir das hohe FestJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        2:02
      8. Christ lag in Todesbanden, BWV 4: VIII. Verse 7, Chorale. Wir essen und wir leben wohlJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        1:17
      9. Jauchzet Gott in allen Landen, BWV 51: I. Aria. Jauchzet Gott in allen Landen (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter, Pierre Thibaud
        4:43
      10. Jauchzet Gott in allen Landen, BWV 51: II. Recit. Wir beten zu dem Tempel an (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
        2:45
      11. Jauchzet Gott in allen Landen, BWV 51: III. Aria. Höchster, Höchster mache deine Güte (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
        4:48
      12. Jauchzet Gott in allen Landen, BWV 51: IV. Chorale. Sei Lob und Preis mit EhrenJohann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
        3:26
      13. Jauchzet Gott in allen Landen, BWV 51: V. Aria. Alleluja (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter, Pierre Thibaud
        2:19
      14. Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die StimmeJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        9:39
      15. Wachet auf, ruft uns die Stimme, BWV 140: II. Recit. Er kommt, er kommt, der Bräutigam kommt!Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter
        1:19
      16. Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Duet). Wann kommst du, mein Heil?Johann Sebastian Bach, Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        6:55
      17. Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singenJohann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter
        5:59
      18. Wachet auf, ruft uns die Stimme, BWV 140: V. Recit. So geh herein zu mirJohann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        1:59
      19. Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria. Mein Freund ist mein!Johann Sebastian Bach, Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        6:22
      20. Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungenJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        1:49
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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