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      1. Albums
      2. avison: 12 concerti grossi after scarlatti - charles avison

      Avison: 12 Concerti Grossi After Scarlatti

      Charles AvisonCharles Avison
      • 1994
      • 50 tracks
      • 2 uur, 30 min
      Avison: 12 Concerti Grossi After Scarlatti - Charles Avison
      Avison: 12 Concerti Grossi After Scarlatti - Charles Avison

      Album Details

      Charles Avison's "12 Concerti Grossi After Scarlatti" is a captivating journey through the Baroque era, reimagined with a fresh perspective. Released on September 1, 1994, under the Hyperion label, this album showcases Avison's ingenious adaptations of Domenico Scarlatti's keyboard sonatas into concerti grossi, a form that was highly popular in the 18th century. Spanning a substantial 2 hours and 30 minutes, the album is a testament to Avison's mastery and his ability to breathe new life into classical compositions.

      The album features twelve concerti grossi, each divided into multiple movements, offering a rich tapestry of musical expression. Avison's arrangements are meticulously crafted, blending the intricate melodies and harmonies of Scarlatti's original works with the grandeur and complexity of the concerto grosso form. The result is a collection that is both intellectually stimulating and deeply engaging.

      From the lively "Allegro" movements to the contemplative "Adagio" and "Amoroso" sections, each piece is a showcase of Avison's skill in orchestration and his deep understanding of Baroque music. The album's diversity ensures that there is something for every classical music enthusiast, whether you prefer the energetic rhythms of the "Vivace" movements or the serene beauty of the "Largo" and "Andante" sections.

      Charles Avison's "12 Concerti Grossi After Scarlatti" is not just a collection of compositions; it is a celebration of the Baroque era's rich musical heritage, reimagined for modern audiences. This album is a must-listen for anyone interested in the intersection of classical music and innovative adaptation.

      September 1, 1994© 1994 Hyperion Records Limited℗ 1994 Hyperion Records Limited

      Tracks

      1. Concerto grosso No. 1 in A Major (After Scarlatti): I. Adagio (Kk. 91a, Transposed)Charles Avison, Brandenburg Consort, Roy Goodman
        1:54
      2. Concerto grosso No. 1 in A Major (After Scarlatti): II. Allegro (Kk. 24)Charles Avison, Roy Goodman, Brandenburg Consort
        5:00
      3. Concerto grosso No. 1 in A Major (After Scarlatti): III. Amoroso (Kk. 91d)Charles Avison, Brandenburg Consort, Roy Goodman
        2:08
      4. Concerto grosso No. 1 in A Major (After Scarlatti): IV. Allegro (Kk. 24)Charles Avison, Brandenburg Consort, Roy Goodman
        4:02
      5. Concerto grosso No. 2 in G Major (After Scarlatti): I. Largo (Kk. 91c)Charles Avison, Roy Goodman, Brandenburg Consort
        1:50
      6. Concerto grosso No. 2 in G Major (After Scarlatti): II. Allegro (Kk. 13)Charles Avison, Brandenburg Consort, Roy Goodman
        4:19
      7. Concerto grosso No. 2 in G Major (After Scarlatti): III. Andante (Kk. 4)Charles Avison, Brandenburg Consort, Roy Goodman
        5:55
      8. Concerto grosso No. 2 in G Major (After Scarlatti): IV. Vivace (Kk. 2)Charles Avison, Roy Goodman, Brandenburg Consort
        2:16
      9. Concerto grosso No. 3 in D Minor (After Scarlatti): I. Largo andante (Kk. 89c)Charles Avison, Roy Goodman, Brandenburg Consort
        2:17
      10. Concerto grosso No. 3 in D Minor (After Scarlatti): II. Allegro spiritoso (Kk. 37, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        3:40
      11. Concerto grosso No. 3 in D Minor (After Scarlatti): III. Vivace (Kk. 38)Charles Avison, Brandenburg Consort, Roy Goodman
        2:21
      12. Concerto grosso No. 3 in D Minor (After Scarlatti): IV. Allegro (Kk. 1)Charles Avison, Roy Goodman, Brandenburg Consort
        2:22
      13. Concerto grosso No. 4 in A Minor (After Scarlatti): I. Andante (Kk. 12, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        5:37
      14. Concerto grosso No. 4 in A Minor (After Scarlatti): II. Allegro (Kk. 3)Charles Avison, Roy Goodman, Brandenburg Consort
        1:56
      15. Concerto grosso No. 4 in A Minor (After Scarlatti): III. Largo (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        5:16
      16. Concerto grosso No. 4 in A Minor (After Scarlatti): IV. Vivace (Kk. 36)Charles Avison, Brandenburg Consort, Roy Goodman
        2:48
      17. Concerto grosso No. 5 in D Minor (After Scarlatti): I. Largo (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        3:31
      18. Concerto grosso No. 5 in D Minor (After Scarlatti): II. Allegro (Kk. 11, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        1:46
      19. Concerto grosso No. 5 in D Minor (After Scarlatti): III. Andante moderato (Kk. 41)Charles Avison, Roy Goodman, Brandenburg Consort
        1:53
      20. Concerto grosso No. 5 in D Minor (After Scarlatti): IV. Allegro (Kk. 5)Charles Avison, Roy Goodman, Brandenburg Consort
        2:28
      21. Concerto grosso No. 6 in D Major (After Scarlatti): I. Largo (Unknown)Charles Avison, Brandenburg Consort, Roy Goodman
        2:53
      22. Concerto grosso No. 6 in D Major (After Scarlatti): II. Con furia (Kk. 29)Charles Avison, Brandenburg Consort, Roy Goodman
        5:00
      23. Concerto grosso No. 6 in D Major (After Scarlatti): III. Adagio (Kk. 89c)Charles Avison, Brandenburg Consort, Roy Goodman
        2:02
      24. Concerto grosso No. 6 in D Major (After Scarlatti): IV. Vivacemente (Kk. 21)Charles Avison, Roy Goodman, Brandenburg Consort
        3:08
      25. Concerto grosso No. 7 in G Minor (After Scarlatti): I. Adagio (Kk. 88a, Altered)Charles Avison, Roy Goodman, Brandenburg Consort
        2:02
      26. Concerto grosso No. 7 in G Minor (After Scarlatti): II. Allegro (Kk. 19, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        3:21
      27. Concerto grosso No. 7 in G Minor (After Scarlatti): III. Adagio (Kk. 88d)Charles Avison, Roy Goodman, Brandenburg Consort
        2:13
      28. Concerto grosso No. 7 in G Minor (After Scarlatti): IV. Allegro affettuoso (Kk. 17, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        3:28
      29. Concerto grosso No. 8 in E Minor (After Scarlatti): I. Adagio (Kk. 81a, Shortened)Charles Avison, Roy Goodman, Brandenburg Consort
        1:27
      30. Concerto grosso No. 8 in E Minor (After Scarlatti): II. Allegro (Kk. 20)Charles Avison, Roy Goodman, Brandenburg Consort
        3:04
      31. Concerto grosso No. 8 in E Minor (After Scarlatti): III. Amoroso (Kk. 81d)Charles Avison, Roy Goodman, Brandenburg Consort
        2:42
      32. Concerto grosso No. 8 in E Minor (After Scarlatti): IV. Vivace (Kk. 15)Charles Avison, Roy Goodman, Brandenburg Consort
        2:09
      33. Concerto grosso No. 9 in C Major (After Scarlatti): I. Largo (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        1:58
      34. Concerto grosso No. 9 in C Major (After Scarlatti): II. Con spirito – Andante (Kk. 31, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        4:06
      35. Concerto grosso No. 9 in C Major (After Scarlatti): III. Siciliana (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        3:26
      36. Concerto grosso No. 9 in C Major (After Scarlatti): IV. Allegro (Kk. 7)Charles Avison, Roy Goodman, Brandenburg Consort
        3:50
      37. Concerto grosso No. 10 in D Major (After Scarlatti): I. Grazioso (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        1:21
      38. Concerto grosso No. 10 in D Major (After Scarlatti): II. Allegro (Kk. 10)Charles Avison, Roy Goodman, Brandenburg Consort
        2:21
      39. Concerto grosso No. 10 in D Major (After Scarlatti): III. Adagio (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        0:46
      40. Concerto grosso No. 10 in D Major (After Scarlatti): IV. Giga. Allegro (Kk. 9)Charles Avison, Roy Goodman, Brandenburg Consort
        2:20
      41. Concerto grosso No. 11 in G Major (After Scarlatti): I. Con affetto (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        4:19
      42. Concerto grosso No. 11 in G Major (After Scarlatti): II. Allegro (Kk. 28, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        3:38
      43. Concerto grosso No. 11 in G Major (After Scarlatti): III. Andante moderato (Kk. 25, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        6:57
      44. Concerto grosso No. 11 in G Major (After Scarlatti): IV. Vivacemente (Kk. 6, Transposed)Charles Avison, Roy Goodman, Brandenburg Consort
        2:40
      45. Concerto grosso No. 12 in D Major (After Scarlatti): I. Grave temporegiato (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        1:15
      46. Concerto grosso No. 12 in D Major (After Scarlatti): II. Largo tempo giusto (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        1:30
      47. Concerto grosso No. 12 in D Major (After Scarlatti): III. Allegro spiritoso (Kk. 23)Charles Avison, Roy Goodman, Brandenburg Consort
        3:58
      48. Concerto grosso No. 12 in D Major (After Scarlatti): IV. Lentemente (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        4:52
      49. Concerto grosso No. 12 in D Major (After Scarlatti): V. Temporegiato (Unknown)Charles Avison, Roy Goodman, Brandenburg Consort
        0:57
      50. Concerto grosso No. 12 in D Major (After Scarlatti): VI. Allegro (Kk. 33)Charles Avison, Roy Goodman, Brandenburg Consort
        3:16
      PLAY ON SPOTIFY

      About Charles Avison

      Charles Avison, born in 1709 in Newcastle upon Tyne, was a pioneering English composer and organist whose work bridged the Baroque and Classical periods. Avison's musical journey began in the churches of Newcastle, where he served as an organist at St John The Baptist and St Nicholas's Church. His compositions, which include over 80 works, are notable for their transitional style, blending the ornate Baroque idiom with the emerging Classical forms.

      Avison is perhaps best known for his 12 Concerti Grossi after Scarlatti, which showcase his mastery of the concerto form. His Essay on Musical Expression, published in 1752, was a groundbreaking work, marking the first instance of music criticism in the English language. This essay, along with his compositions, reflects Avison's deep engagement with the musical culture of his time and his willingness to challenge established norms, as seen in his advocacy for the music of his mentor, Francesco Geminiani, over that of Handel.

      Avison's legacy extends beyond his compositions, encompassing his roles as a teacher, conductor, and performer. By the time he reached his 50s, he had established himself as a significant figure in English music, leaving an indelible mark on the musical landscape of his era. His works, which include a variety of instrumental pieces such as sonatas and concerti, continue to be celebrated for their innovation and artistic merit. Avison passed away in 1770, leaving behind a rich musical heritage that continues to inspire and inform.

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