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      1. Albums
      2. aure, t.a.: cantatas - the school of anacreon / delia / frolick and free / the morning / lydia / bacchus and ariadne / - thomas arne

      Aure, T.A.: Cantatas - The School of Anacreon / Delia / Frolick and Free / The Morning / Lydia / Bacchus and Ariadne /

      Thomas ArneThomas Arne
      • 2006
      • 19 tracks
      • 1 uur
      • minimal techno
      Aure, T.A.: Cantatas - The School of Anacreon / Delia / Frolick and Free / The Morning / Lydia / Bacchus and Ariadne / - Thomas Arne
      Aure, T.A.: Cantatas - The School of Anacreon / Delia / Frolick and Free / The Morning / Lydia / Bacchus and Ariadne / - Thomas Arne

      Album Details

      Dive into the enchanting world of Thomas Arne's "Aure, T.A.: Cantatas" released in 2006, a captivating collection of 19 tracks that span a full hour of minimal techno magic. This album is a testament to Arne's musical prowess, featuring a variety of cantatas that blend classical elegance with modern electronic beats.

      The album opens with "The School of Anacreon," setting the stage for a journey through themes of love, life, and joy. Tracks like "Frolick and Free" and "The Morning" bring a sense of liveliness and energy, while "Lydia" and "Bacchus and Ariadne" delve into more dramatic and emotional narratives. Each cantata is a masterpiece in its own right, showcasing Arne's ability to weave intricate melodies and rhythms that captivate the listener from start to finish.

      Performed by Timothy Bentch and accompanied by the talented Capella Savaria, this album is a must-listen for fans of minimal techno and classical music alike. Whether you're in the mood for upbeat tunes or soulful arias, "Aure, T.A.: Cantatas" offers a diverse range of sounds that will leave you wanting more. Don't miss out on this unique blend of old and new, a true gem in the world of electronic music.

      1 januari 20062006 Centaur Records, Inc.2006 Centaur Records, Inc.

      Tracks

      1. The School of Anacreon: Recitative: The festive board - Aria: Tell me not the JoysThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:41
      2. The School of Anacreon: Aria: Business title, pomp and state…But let Love, let Life be mineThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:36
      3. Delia: Recitative: From golden slumber - Aria: O'er Hill and DaleThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:35
      4. Delia: Aria: The sun too soon withdraws his Pow'r…O let us then the Time improveThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        2:42
      5. Frolick and Free: Aria: Frolick and Free, for pleasure bornThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:35
      6. Frolick and Free: Aria: But God of Sleep… Invade me not… since we must be oblig'd… When I can laughThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        2:25
      7. Frolick and Free: Aria: But oh, if melting in my ArmsThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:20
      8. The Morning: Aria: The glitt'ring SunThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        1:50
      9. The Morning: Aria and Recitative: The Lark his warbling matin sings… The Village up, the Shepherd tries his PipeThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        2:26
      10. The Morning: Aria: Oh! that on th'enamel'd GreenThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        4:17
      11. Lydia (after Sappho): Recitative: Beneath this sad and silent Gloom - Aria: Lovely MaidThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        4:25
      12. Lydia (after Sappho): Recitative: I dream of her unequall'd Charms - Aria: Anguish wasteThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        1:35
      13. Lydia (after Sappho): Recitative: No, let him Triumph - Aria: Wander Lydia, so will IThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        4:23
      14. Bacchus and Ariadne: Recitative: The faithless Theseus (Ariadne) - Aria: Ah Theseus stayThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:23
      15. Bacchus and Ariadne: Recitative: The Jolly God (Bacchus) - Aria: Cease lovely Nymph to weepThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        1:31
      16. Bacchus and Ariadne: Aria: I am Bacchus God of Wine - Recitative: With soft reluctanceThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        2:31
      17. Bacchus and Ariadne: Aria: Learn hence ye fond Maidens who droop and who pineThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:43
      18. Advice to Chloe: Aria: Still you flee meThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        4:18
      19. Advice to Chloe: Recitative: All these foolish notions - Aria: From thy Watchful Mother flyingThomas Arne, Mária Zádori, Timothy Bentch, Zsolt Kallo, Capella Savaria, Mary Terey-Smith
        3:13
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      About Thomas Arne

      Thomas Arne, born in 1710 London, was a pioneering figure in English music, renowned for his contributions to the theatre and his enduring patriotic songs. As a leading composer of the 18th century, Arne's work graced the stages of London's prestigious Drury Lane and Covent Garden, where he crafted numerous operatic entertainments that captivated audiences. His compositions spanned a wide range, from concertos and sinfonias to sonatas and sacred music, showcasing his versatility and mastery. Arne's most celebrated works include the iconic "Rule, Britannia!" and the lively "A-Hunting We Will Go," both of which have transcended their original contexts to become beloved folk songs and nursery rhymes. His legacy endures, inspiring generations with his timeless melodies and innovative spirit.

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      Thomas Arne

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