At Montmartre 1965/66

Experience the legendary Ben Webster in a series of captivating live performances with "At Montmartre 1965/66." This exceptional album captures the tenor saxophonist at the pinnacle of his artistry, recorded during two unforgettable gigs at the iconic Montmartre jazz club in Copenhagen. The album features a stellar lineup, including Kenny Drew on piano, Niels-Henning Ørsted Pedersen on bass, and Alex Riel on drums, creating a rich and dynamic sound that defines cool jazz.

Spanning two sessions in January 1965 and May 1966, the album offers a unique glimpse into Webster's evolving style and his mastery of the genre. From the swinging "Pennies from Heaven" to the soulful rendition of "Danny Boy," each track showcases Webster's distinctive tone and improvisational genius. The album includes beloved standards like "My Romance" and "How Long Has This Been Going On," as well as lesser-known gems like "Cottontail" and "Gone with the Wind," providing a comprehensive overview of his repertoire.

Recorded live, the album's energy and spontaneity are palpable, making it a treasure for jazz enthusiasts and newcomers alike. The 12-track collection, released by Storyville, is a testament to Webster's enduring legacy and his impact on the jazz world. Whether you're a longtime fan or discovering Ben Webster for the first time, "At Montmartre 1965/66" is an essential addition to any jazz collection.

Ben Webster, born Benjamin Francis Webster, was a titan of the tenor saxophone in the world of jazz, renowned for his distinctive, warm, and raspy sound. Hailing from Kansas City, Missouri, Webster's career spanned several decades, from the 1930s through the 1970s, making him one of the most influential figures in early jazz history. Often hailed as one of the "big three" of swing tenors, alongside Coleman Hawkins and Lester Young, Webster's style was uniquely his own, blending a tough, raspy tone with a breathy, instantly recognizable warmth. His collaborations with legends like Duke Ellington, Billie Holiday, and Johnny Hodges are testament to his musical prowess and enduring legacy. Webster's performances in the United States and Europe left an indelible mark on the jazz scene, making him a beloved figure among fans and fellow musicians alike. His nickname, "The Brute" or "Frog," added a touch of mystique to his persona, but it was his music that truly set him apart. Webster's contributions to jazz continue to inspire and captivate, cementing his status as a true master of the genre.

At Montmartre 1965/66

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