Ursula Thelen's "Ancor che col partire. Diminutionen des 16. Jahrhunderts" is a captivating journey into the world of 16th-century chamber music. Released in 2000 under the ARS Musici label, this album spans a concise yet engaging 52 minutes, offering a rich tapestry of musical styles and techniques from the Renaissance period.
The album showcases Ursula Thelen's exceptional skill and versatility as a performer, presenting a diverse collection of works that include motets, madrigals, French chansons, and instrumental pieces. The tracks are drawn from various sources, such as "Motetti, madrigali et canzone francese," "Obras de musica para tecla, arpa y vihuela," and "Passaggi per potersi essercitare nel diminuire terminatamente," reflecting the musical exchange and innovation of the time.
Thelen's interpretations bring to life the intricate diminutions and ornamentations that were a hallmark of 16th-century music, demonstrating her deep understanding and mastery of historical performance practices. The album features both vocal and instrumental works, with Thelen's nuanced phrasing and expressive delivery highlighting the beauty and complexity of each piece.
From the delicate "Dulce memoriae" to the lively "Frisque et gaillard," the album offers a compelling exploration of the musical landscape of the 16th century. Whether you're a seasoned enthusiast of early music or a newcomer looking to discover the riches of the Renaissance, Ursula Thelen's "Ancor che col partire. Diminutionen des 16. Jahrhunderts" is a rewarding and enriching listening experience.
(C) 2010 M.A.T. Music Theme Licenzing Ltd.(P) 2000 Freiburger Musikforum
Tracks
Motetti, madrigali et canzone francese: Bass-DiminutionGiovanni Bassano, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Chanson- IntavolierungAntonio de Cabezón, Ursula Thelen, Flautando Köln
Le parangon des chansons: Chanson zu vier StimmenJacques Moderne, Ursula Thelen, Flautando Köln
Trattado de Glosas: Recercarda sobre Doulce memoireDiego Ortiz, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Dulce memoriae. Chanson- IntavolierungHernando de Cabezón, Ursula Thelen, Flautando Köln
Premier livre de chansons à quatre parties: Chanson zu vier StimmenThomas Crequillon, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Un gay bergeir.Chanson- IntavolierungAntonio de Cabezón, Ursula Thelen, Flautando Köln
Passaggi per potersi essercitare nel diminuire terminatamente: Un gai bergier per diminuire sopra una ParteRiccardo Rognoni, Ursula Thelen, Flautando Köln
A la dolce ombra: I. Prima stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: II. Seconda stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: III. Terza stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: IV. Quarta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: V. Quinta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: VI. Sesta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
Motetti, madrigali et canzone francese: SoprandiminutionGiovanni Bassano, Ursula Thelen, Flautando Köln
Frisque et gaillard: I. Chanson zu vier StimmenJacob Clemens non Papa, Ursula Thelen, Flautando Köln
Frisque et gaillard: II. Canzona francesa deta Frais et gaillardJacob Clemens non Papa, Ursula Thelen, Flautando Köln
Ancor che col partire: I. Chanson- IntavolierungAndrea Gabrieli, Ursula Thelen, Flautando Köln
Ancor che col partire: II. SoprandiminutionAndrea Gabrieli, Ursula Thelen, Flautando Köln