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      1. Albums
      2. alonso lobo: lamentations; masses - alonso lobo

      Alonso Lobo: Lamentations; Masses

      Alonso LoboAlonso Lobo
      • 2002
      • 14 tracks
      • 1 uur, 15 min
      • choral
      Alonso Lobo: Lamentations; Masses - Alonso Lobo
      Alonso Lobo: Lamentations; Masses - Alonso Lobo

      Album Details

      Immerse yourself in the sacred and profound compositions of Alonso Lobo with this captivating choral album, "Alonso Lobo: Lamentations; Masses." Released on January 1, 2002, under the Decca (UMO) label, this collection showcases the masterful works of the renowned Spanish Renaissance composer. Spanning a duration of 1 hour and 15 minutes, the album is a rich tapestry of choral music that beautifully blends the sacred and the sublime.

      The album features two complete masses, "Missa Simile Est Regnum Caelorum" and "Missa O Rex Gloriae," each offering a unique and deeply moving musical experience. The "Missa Simile Est Regnum Caelorum" is a six-part mass that exudes a sense of grandeur and solemnity, while the "Missa O Rex Gloriae" is a five-part mass that is both powerful and introspective. Additionally, the album includes the hauntingly beautiful "Lamentationes Ieremiae Prophetae" and the tender "Ego Flos Campi," both of which showcase Lobo's exceptional ability to convey deep emotion through his music.

      Alonso Lobo's compositions are known for their intricate polyphony and rich harmonic language, and this album is no exception. The choral performances are impeccable, bringing Lobo's music to life with precision and passion. Whether you are a fan of Renaissance choral music or simply looking to explore something new, this album is sure to captivate and inspire.

      1 januari 2002© 2015 ASV Ltd.℗ 2002 ASV Ltd.

      Tracks

      1. Missa Simile Est Regnum Caelorum: KyrieAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        2:27
      2. Missa Simile Est Regnum Caelorum: GloriaAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        4:51
      3. Missa Simile Est Regnum Caelorum: Regina caeliAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        2:33
      4. Missa Simile Est Regnum Caelorum: CredoAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        7:39
      5. Missa Simile Est Regnum Caelorum: Sanctus and BenedictusAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        5:18
      6. Missa Simile Est Regnum Caelorum: Agnus DeiAlonso Lobo, Traditional, The Choir of King's College London, David Trendell
        5:04
      7. Lamentationes Ieremiae ProphetaeAlonso Lobo, The Choir of King's College London, David Trendell
        20:31
      8. Missa O Rex Gloriae: KyrieAlonso Lobo, The Choir of King's College London, David Trendell
        2:17
      9. Missa O Rex Gloriae: GloriaAlonso Lobo, The Choir of King's College London, David Trendell
        4:01
      10. Missa O Rex Gloriae: Ecce ascendimus lerosolymamAlonso Lobo, The Choir of King's College London, David Trendell
        2:46
      11. Missa O Rex Gloriae: CredoAlonso Lobo, The Choir of King's College London, David Trendell
        6:33
      12. Missa O Rex Gloriae: Sanctus and BenedictusAlonso Lobo, The Choir of King's College London, David Trendell
        4:31
      13. Missa O Rex Gloriae: Agnus DeiAlonso Lobo, The Choir of King's College London, David Trendell
        4:25
      14. Ego Flos CampiAlonso Lobo, The Choir of King's College London, David Trendell
        2:22
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      About Alonso Lobo

      Alonso Lobo, born in 1555 in the Spanish town of Osuna, was a renowned composer of the late Renaissance, though his fame has been somewhat overshadowed by his contemporary, Tomás Luis de Victoria. Lobo's musical journey began as a choirboy at Seville Cathedral under the tutelage of the esteemed Francisco Guerrero. His compositional prowess is evident in works such as the 'Missa Maria Magdalene', a masterful parody of Guerrero's Easter motet that showcases Lobo's skill in creating rich, six-part textures. Despite his music being relatively less recorded, it consistently captivates audiences with its depth and beauty. Lobo's contributions to choral music are a testament to his enduring talent and his rightful place among the greats of the Renaissance era.

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