Agustín Barrios Mangoré: Al Estilo Antiguo

Immerse yourself in the timeless elegance of classical guitar with Agustín Barrios Mangoré's "Al Estilo Antiguo," a captivating collection of compositions that showcase the virtuosity and depth of this Paraguayan master. Released on May 31, 2019, by Da Vinci Classics, this album features a selection of Barrios Mangoré's most beloved pieces, performed with exquisite skill by Lorenzo Bernardi.

Spanning just over 41 minutes, this album is a concise yet powerful journey through the composer's rich musical landscape. From the hauntingly beautiful "Preludio in C Minor" to the triumphant "Alegro Solemne" from "La Catedral," each track offers a unique glimpse into Barrios Mangoré's artistic genius. The album includes iconic works such as "Estudio de Concierto No. 2," "Mazurka Apasionada," and "Gavota al Estilo Antiguo," each performed with a level of precision and passion that brings the music to life.

Barrios Mangoré, often regarded as one of the greatest classical guitarists and composers of all time, left an indelible mark on the world of classical music. His compositions, characterized by their technical brilliance and emotional depth, continue to inspire and captivate audiences worldwide. "Al Estilo Antiguo" is a testament to his enduring legacy, offering a selection of pieces that highlight his unique style and unparalleled talent.

Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to enchant and inspire. The meticulous performance by Lorenzo Bernardi, combined with the timeless beauty of Barrios Mangoré's compositions, makes "Al Estilo Antiguo" a standout addition to any music collection. Dive into the world of classical guitar and experience the magic of Agustín Barrios Mangoré's music.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

Agustín Barrios Mangoré: Al Estilo Antiguo

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