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      1. Albums
      2. adonde infiel dragón. jaime balius - ignace pleyel. música para la catedral de córdoba en el ocaso del clasicismo - jaime balius

      Adonde infiel dragón. Jaime Balius - Ignace Pleyel. Música para la Catedral de Córdoba en el ocaso del clasicismo

      Jaime BaliusJaime Balius
      • 2016
      • 12 tracks
      • 1 uur, 3 min
      Adonde infiel dragón. Jaime Balius - Ignace Pleyel. Música para la Catedral de Córdoba en el ocaso del clasicismo - Jaime Balius
      Adonde infiel dragón. Jaime Balius - Ignace Pleyel. Música para la Catedral de Córdoba en el ocaso del clasicismo - Jaime Balius

      Album Details

      Jaime Balius presents "Adonde infiel dragón," a captivating exploration of classical music composed for the Cathedral of Córdoba during the twilight of the Classical era. This album, released on November 17, 2016, under the OBS - Prometeo label, is a collaborative effort with Ignace Pleyel and the Orquesta Barroca de Sevilla, featuring the vocal talents of Maria Hinojosa.

      The album is a rich tapestry of sacred and secular works, showcasing the intricate compositions of Jaime Balius and Ignace Pleyel. It includes a variety of pieces such as symphonies, recitatives, arias, and a Christmas villancico, each offering a unique glimpse into the musical landscape of late 18th and early 19th century Spain.

      The symphony in D minor, BEN 126, is a standout piece, with its four movements—Allegro assai, Andante, Menuetto/Trio, and Finale: Rondo allegro—demonstrating the composers' mastery of form and expression. The album also features vocal works like "Clara Aurora," "De la antigua serpiente," "No hemos de hablar," and "Adonde infiel dragón," each showcasing the expressive range of the tiple and the rich orchestral accompaniment.

      With a total duration of 1 hour and 3 minutes, this album is a comprehensive journey through the sacred and secular music of the period, offering both familiar and lesser-known works. Jaime Balius's meticulous direction and the Orquesta Barroca de Sevilla's nuanced performances bring these historical pieces to life, providing a vivid sonic experience that transports the audience to the grandeur of the Cathedral of Córdoba. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album promises a rewarding listening experience.

      November 17, 2016(C) 2016 Orquesta Barroca de Sevilla SL(P) 2016 OBS-010 Prometeo

      Tracks

      1. Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        1:13
      2. Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: Aria de ConcepciónJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        9:35
      3. Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Allegro assaiIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
        8:05
      4. Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): AndanteIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
        5:49
      5. Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Menuetto/TrioIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
        2:37
      6. Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Finale: Rondo allegroIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
        5:36
      7. De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Recitado: PrestoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        1:32
      8. De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Aria: GraciosettoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        6:34
      9. No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        1:31
      10. No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: Aria: MaestosoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        6:17
      11. Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        2:55
      12. Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: Aria a Nuestra SeñoraJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
        12:08
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      About Jaime Balius

      Jaime Balius, born Jaume Balius i Vila, was a multifaceted Catalan figure known for his significant contributions as a classical composer and journalist. Born in 1904 and passing away in 1980, Balius's musical legacy is particularly notable for his work on the music for the Cathedral of Córdoba, a testament to his mastery of the classical style during its twilight years. His compositions, such as 'Adonde infiel dragón,' reflect a deep understanding of the genre and a unique artistic voice. Beyond his musical pursuits, Balius was also a prominent journalist and anarchist activist. He was a key member of the Groupement des amis de Durruti, an anti-governmental anarchist movement in Spain. His writings, including pieces in La Noche, often explored themes of revolution and social control, making him a influential figure in both the artistic and political landscapes of his time.

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