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      1. Albums
      2. a gardin for delights - english lute songs from the renaissance - ian partridge

      A Gardin for Delights - English Lute Songs from the Renaissance

      Ian PartridgeIan Partridge
      • 1990
      • 19 tracks
      • 1 uur, 6 min
      • choral
      A Gardin for Delights - English Lute Songs from the Renaissance - Ian Partridge
      A Gardin for Delights - English Lute Songs from the Renaissance - Ian Partridge

      Album Details

      Immerse yourself in the enchanting world of Renaissance England with Ian Partridge's "A Gardin for Delights - English Lute Songs from the Renaissance." Released on January 1, 1990, under Bayer Records, this choral masterpiece spans a captivating 66 minutes, offering a collection of 19th-century English lute songs that are as timeless as they are exquisite.

      Ian Partridge, a renowned artist in the choral genre, brings to life a series of songs that are both poignant and delightful. Each track, from the tender "There is a lady sweet and kind" to the melancholic "In darkness let me dwell," showcases the depth and range of Renaissance music. The album is a testament to Partridge's skill and the enduring beauty of these historical compositions.

      The tracks are a blend of love, longing, and reflection, capturing the essence of the Renaissance period. "When Laura smiles" and "What then is love but mourning?" highlight the emotional depth of the lyrics, while "Thrice toss these oaken ashes" and "Of all the birds" offer a glimpse into the era's musical sophistication. The album also includes the lively "It was a lover and his lass" and the contemplative "The lowest trees have tops," demonstrating the variety and richness of the repertoire.

      "A Gardin for Delights" is not just an album; it's a journey through time, a celebration of the Renaissance's musical heritage, and a showcase of Ian Partridge's artistry. Whether you're a seasoned fan of choral music or a newcomer to the genre, this album promises a rich and rewarding listening experience.

      1 januari 19901990 Rudolf Bayer1990 Rudolf Bayer

      Tracks

      1. There is a lady sweet and kindThomas Ford, Ian Partridge, Konrad Ragossnig
        3:19
      2. Love is a bableRobert Jones, Ian Partridge, Konrad Ragossnig
        2:31
      3. There was a wyly laddeRobert Jones, Ian Partridge, Konrad Ragossnig
        3:12
      4. When Laura smilesPhilip Rosseter, Ian Partridge, Konrad Ragossnig
        3:06
      5. What then is love but mourning?Philip Rosseter, Ian Partridge, Konrad Ragossnig
        2:10
      6. All looks be paleThomas Campian, Ian Partridge, Konrad Ragossnig
        3:53
      7. Jacke and JoneThomas Campian, Ian Partridge, Konrad Ragossnig
        1:47
      8. Thrice tosse these oaken ashesThomas Campian, Ian Partridge, Konrad Ragossnig
        1:43
      9. Of all the birdsJohn Bartlet, Ian Partridge, Konrad Ragossnig
        3:31
      10. Rest, sweet nymphsFrancis Pilkington, Ian Partridge, Konrad Ragossnig
        3:51
      11. It was a lover and his lassThomas Morley, Ian Partridge, Konrad Ragossnig
        3:39
      12. Thyris and MillaThomas Morley, Ian Partridge, Konrad Ragossnig
        2:58
      13. Come, sorrow, comeThomas Morley, Ian Partridge, Konrad Ragossnig
        10:11
      14. The lowest trees have topsJohn Dowland, Ian Partridge, Konrad Ragossnig
        1:49
      15. Unquiet thoughtsJohn Dowland, Ian Partridge, Konrad Ragossnig
        3:21
      16. Can she excuse my wrongs?John Dowland, Ian Partridge, Konrad Ragossnig
        3:21
      17. Love those beamsJohn Dowland, Ian Partridge, Konrad Ragossnig
        2:50
      18. Wilt thou, unkind, thus reave me?John Dowland, Ian Partridge, Konrad Ragossnig
        4:35
      19. In darkness let me dwellJohn Dowland, Ian Partridge, Konrad Ragossnig
        4:07
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      About Ian Partridge

      Ian Partridge, the celebrated English lyric tenor, has captivated audiences with his remarkable vocal prowess and enduring career. Born on 12 June 1938 in Wimbledon, England, Partridge's repertoire spans the works of Monteverdi, Bach, Handel, and Elizabethan lute songs, showcasing his versatility and deep musicality. Known for his persuasive and peripatetic performances, he retained his vocal freshness well into his sixties, earning the respect and admiration of colleagues and audiences alike. Primarily a recitalist and oratorio singer, Partridge's low-key yet enduring career has left an indelible mark on the choral and classical music scene. His contributions continue to be celebrated, as evidenced by a recent interview in the July issue of Gramophone Magazine.

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