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      1. Albums
      2. 大聖堂 バリオス作品集3 - agustín barrios mangoré

      大聖堂 バリオス作品集3

      Agustín Barrios MangoréAgustín Barrios Mangoré
      • 2001
      • 25 tracks
      • 1 uur, 9 min
      大聖堂 バリオス作品集3 - Agustín Barrios Mangoré
      大聖堂 バリオス作品集3 - Agustín Barrios Mangoré

      Album Details

      Immerse yourself in the enchanting world of classical guitar with Agustín Barrios Mangoré's "大聖堂 バリオス作品集3," a captivating collection released in 2001 on the Fontec label. This album spans a generous 1 hour and 9 minutes, offering a rich tapestry of compositions that showcase the depth and versatility of Barrios Mangoré's musical genius.

      The album features a diverse array of pieces, from the delicate and introspective "前奏曲 ハ短調" to the lively and spirited "パラグアイ舞曲 第1番 [二重奏]." Each track is a testament to Barrios Mangoré's mastery of the guitar, blending technical brilliance with profound musicality. Highlights include the serene "大聖堂: Preludio, Lento" and the dynamic "大聖堂: Allegro, Solemne," both of which exemplify the composer's ability to evoke a range of emotions through his music.

      Performed by Daisuke Suzuki, this album is a testament to the enduring appeal of Barrios Mangoré's compositions. Suzuki's interpretation brings a fresh perspective to these timeless pieces, making this release a treasure for both seasoned fans and newcomers to the world of classical guitar. Whether you're drawn to the intricate melodies of the "メヌエット" series or the evocative "チェロを模したロマンス," this album promises an enriching and enjoyable listening experience.

      1 januari 20012001 Fontec Inc.2001 Fontec Inc.

      Tracks

      1. 前奏曲 ハ短調Agustín Barrios Mangoré, Daisuke Suzuki
        2:33
      2. メヌエット ハ長調Agustín Barrios Mangoré, Daisuke Suzuki
        1:11
      3. 「神の愛に免じて施しを」 (最後のトレモロ)Agustín Barrios Mangoré, Daisuke Suzuki
        3:41
      4. メヌエット ホ長調 第1番Agustín Barrios Mangoré, Daisuke Suzuki
        1:37
      5. メヌエット ホ長調 第2番Agustín Barrios Mangoré, Daisuke Suzuki
        2:49
      6. 昔のメダルAgustín Barrios Mangoré, Daisuke Suzuki
        3:47
      7. メヌエット イ長調 (I)Agustín Barrios Mangoré, Daisuke Suzuki
        1:20
      8. メヌエット イ長調 (II)Agustín Barrios Mangoré, Daisuke Suzuki
        3:11
      9. メヌエット ロ長調Agustín Barrios Mangoré, Daisuke Suzuki
        2:51
      10. チェロを模したロマンスAgustín Barrios Mangoré, Daisuke Suzuki
        3:09
      11. 前奏曲 イ短調Agustín Barrios Mangoré, Daisuke Suzuki
        3:46
      12. 大聖堂: Preludio, LentoAgustín Barrios Mangoré, Daisuke Suzuki
        2:36
      13. 大聖堂: Andante religiosoAgustín Barrios Mangoré, Daisuke Suzuki
        1:49
      14. 大聖堂: Allegro, SolemneAgustín Barrios Mangoré, Daisuke Suzuki
        3:35
      15. 前奏曲 作品5-1Agustín Barrios Mangoré, Daisuke Suzuki
        4:08
      16. アラベスク - 練習曲 第4番Agustín Barrios Mangoré, Daisuke Suzuki
        1:39
      17. 練習曲 第6番Agustín Barrios Mangoré, Daisuke Suzuki
        1:43
      18. 練習曲 ロ短調 [二重奏]Agustín Barrios Mangoré, Daisuke Suzuki, 西村正秀
        2:06
      19. 練習曲 ト短調Agustín Barrios Mangoré, Daisuke Suzuki
        2:28
      20. 演奏会用練習曲Agustín Barrios Mangoré, Daisuke Suzuki
        2:58
      21. 祈りAgustín Barrios Mangoré, Daisuke Suzuki
        3:44
      22. ユモレスクAgustín Barrios Mangoré, Daisuke Suzuki
        2:37
      23. 沈思Agustín Barrios Mangoré, Daisuke Suzuki
        5:08
      24. 練習曲 作品38-22 [二重奏]Napoléon Coste, Daisuke Suzuki
        2:58
      25. パラグアイ舞曲 第1番 [二重奏]Agustín Barrios Mangoré, Daisuke Suzuki, 西村正秀
        2:18
      PLAY ON SPOTIFY

      About Agustín Barrios Mangoré

      Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

      Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

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      Agustín Barrios Mangoré

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